A Quote by Matthew Lillard

So much of Hollywood is about who the people you work with are. — © Matthew Lillard
So much of Hollywood is about who the people you work with are.
There's nothing in Hollywood that's inherently detrimental to good art. I think that's a fallacy that we've created because we frame the work that way too overtly. 'This is Hollywood.' 'This isn't Hollywood.' It's like, 'No, this is actually all Hollywood.' People are just framing them differently.
I think when people think about California, they think about straight Hollywood, that Hollywood glamour, whole bunch of flashes, so much paparazzi.
Most people grow up dreaming of going to Hollywood and some of them work and work and work and finally end up in Hollywood.
A lot of people who are actors and artists who work in Hollywood come from a background of abuse, and you can make abused people very fearful and they'll do what they're told. Hollywood definitely has a point of view that it sells.
Like many works of literature, Hollywood chooses for its villains people who strive for social dominance through the pursuit of wealth, prestige, and power. But the ordinary business of capitalism is much more egalitarian: It's about finding meaning and enjoyment in work and production.
People always make these generalized statements about Hollywood, and there's all kinds of people in Hollywood.
I leave Hollywood, I go somewhere else and make some music, and then, when I have to go back to work, I try and take as much that I get from outside Hollywood back with me.
The public interest always surprises me. I come to work in these rooms with no windows. At night I go home. I just live my life. I guess I just don't think much about whether people are going to watch. Most of my friends don't know much about what I do, and we don't talk about it. I have a different life away from work. Which is fine, because my work can get pretty intense.
Being from New York, there's three things you know about Hollywood. You know about the Hollywood sign, Sunset Strip and Hollywood Boulevard with the stars.
We aren't defined by our work. People think if you over-identify with your work, then that must mean you're giving over too much of yourself to it, that there's something wrong with that. We're trained to believe in things like work-life balance. So much work is tending towards service. It's very much about creating experiences rather than products, and it makes those boundaries between life and work very slippery.
Hollywood is one of those places where, traditionally, money has come from - along with New York, Texas, Florida, Silicon Valley in northern California and the unions. But because of the Internet and the way campaigns are financed these days, you don't need traditional financing as much as you used to - and Barack Obama has tapped into that in a big way. But at the end of the day, people in Hollywood care more about [the presidency] than just the trappings of it and the surface type stuff. They care about the issues.
When you think about it there's never really been a realistic exposition of Hollywood, I mean - from the inside - showing Hollywood what it can do, what it has done, to people.
I want to be able to work on a project that will give people around the world the chance to represent their own people, their own culture, their own stories, rather than just Hollywood - really, you know, dominated Hollywood. And that's a dream of mine.
The Hollywood image of the movie business is all about ambition and high achievers like James Cameron. But the British film industry is much more about men who wear cravats and work with model trains and hope another series of 'Thomas the Tank Engine' will be commissioned.
I love when you get to work with people who care about the project as much as you do because then, you're altogether in. I feel like I've been lucky so far to have the chance to work with people who work that way.
We're not hearing any Hollywood people talk about the Crime Family Foundation. We're not talking about any specific details about Hillary Clinton's work on the foundation.
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