A Quote by Matthew Lillard
Character actors are becoming a thing of the past. They're just going by the wayside. They're just cutting through that caliber of acting.
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When I read something, first I have an instinctual, emotional response to it. But of course, acting isn't only just feeling an instinct for what's going on in the moment with the character. You have to be able to carve it out and consider, follow, and create the whole journey that the character you play is going through.
Broadly speaking, there are two kinds of acting: character acting and lead acting. And in my life, to begin with, in the 1980s, it was all character acting. And then when, by fluke, through 'Four Weddings', I got into doing lead parts, it's a completely different thing.
Whenever you see someone who's having a rough day, it's one thing to ask if they're okay, because most people would just walk by. That can be life-changing to that person who's going through whatever they're going through. I'm that kind of person, so that's been my training for acting: just caring about people.
I try to keep away from being bigheaded. That's what causes people to lose the acting thing. They start being commercial, and then they stink the rest of their life. But there are several respected adult actors who were child actors that started very young. I'm going to try to model myself after Kurt Russell and Jodie Foster. Just keep learning from the role and not just go for the money.
I was kind of scared at first to do that [vice-over] because when you're on set, a lot of the things going on around you - the environment and playing off other actors - and that's what makes it easier and helps you to be in your character. So, realizing you're not going to have that and you're going to be secluded in this booth, it's like, "How am I going to be a character when I'm just in these walls?"
Just going through a lot in my life, becoming more confident in myself, writing my own music and just really getting in the studio and just doing it.
We have so much access to one another through technology and everything else, that we're very much used to people being real. When folks go on TV and they're basically acting - if they were good actors they'd be acting and paid for it for a living, but they're not good actors. When we see bad acting, it doesn't look like bad acting, it looks weird, and we are turned off by it. I'm not talking about anybody in particular, that's just politics right now. This generation, I feel like, has incredible bullshit detectors.
We shouldn't confuse singers and performers with actors. Actors will say, "My character this, and my character that." Like beating a dead horse. Who cares about the character? Just get up and act. You don't have to explain it to me.
Improvisation, the main thing is it teaches you to be in the moment and present in the moment and be reactive and proactive for what's going on. Someone gives you something - a lot of actors are a little shut off, so they're just doing, "This is my character, these are my lines, I'm going to just send it to you then you send whatever you're sending." Improvisation teaches you to really be listening.
There's two types of character actors. There's character actors who play all different characters. Or there's actors who always play the same part; they're just a bit funny-looking.
Usually I approach to acting completely blindfolded. I read the script, I connect to the character, and then I try not to think about it too much until I'm there and I'm in wardrobe and I'm with the other actors and we're going through the scene once.
We're never going to solve weight cutting, we need to just get past that. People are always going to cut weight.
The beautiful thing about acting is that you can just dive into the character, strip yourself of everything, and just get in there and perfect your craft.
When I step outside and think of the caliber of actors I've had the privilege of working with, it just blows my mind.
In L.A., I was meeting people who were all actors. My mind started to open up to what acting was. I didn't realize that Brad Pitt was a real person. I didn't think he was a robot or a machine, but I thought you were just born into acting - that it's a family tree, kind of like NASCAR. No one can just say, 'Hey, I'm going to be a NASCAR driver.'
Well with just this business, this whole acting thing, it's so competitive and there's like such a small chance of making it. I'm very lucky that I got to be on this big show, and I just think if you push past that 99 percent who give up at a point, you will have a chance at making it and going somewhere.
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