A Quote by Matthew Macfadyen

What's exciting is there's a curtain that divides the audience from this other world. You want to see behind. — © Matthew Macfadyen
What's exciting is there's a curtain that divides the audience from this other world. You want to see behind.
I always feel that there is a curtain, you know, that if I could just peek behind the curtain I'd see how the world really works. And since I haven't had it I have to write about it instead.
On camera, the audience can see your eyes close up - they can see behind your eyes - and when you're on stage, you need to make sure that the person sitting in the back row can feel what's happening behind your eyes, even if they can't see them. Having a live audience is exhilarating and exciting all on its own, but you know, it is quite different.
For pilots sometimes see behind the curtain, behind the veil of gossamer velvet, and find the truth behind man, the force behind a universe.
I come from the theater, so I like it being: curtain up, this is what we want you to see, we have a reason for showing it to you, and then the curtain comes down, and that's it.
Landscapes can be deceptive. Sometimes a landscape seems to be less a setting for the life of its inhabitants than a curtain behind which their struggles, achievements and accidents takes place. For those who are behind the curtain, landmarks are no longer only geographic but also biographical and personal
I remember asking one of the [cyber experts], I said, "Knowing what you know, and you exist behind the curtains so to speak, and you see behind the curtain, do you look at the world differently? Do you feel you have an upper hand?" He just started laughing and said, "Man, people have no idea how exposed they are, how vulnerable, and what's possible."
[Nabokov's] language is made visible . . . like a veil or transparent curtain. You cannot help seeing the curtain as you peek into the intimate rooms behind.
I did love that scene in the movie [ "Our Brand Is Crisis"] because it's like "The Wizard of Oz." You see the backstage action of politics. You have access to see behind the curtain. You see how it's all one big advertisement.
We want a world with both historians and novelists, don't we? Not with one or the other. Every fiction writer crosses the line that divides artistry and documentation - or erases it.
Opportunities may come along for you to convert something -something that exists into something that didn't yet. That might be the beginning of it. Sometimes you just want to do things your way, want to see for yourself what lies behind the misty curtain. It's not like you see songs approaching and invite them in. It's not that easy. You want to write songs that are bigger than life. You want to say something about strange things that have happened to you, strange things you have seen. You have to know and understand something and then go past the vernacular.
I did not have a computer until recently. I'm not really a computer person; I'm really hands-on. I can't make it work if it's all behind the black curtain. It doesn't interest me. I want to see what's actually happening back there.
Sometimes you'll play, like, a large venue - maybe an outdoor venue or something - where it's so big that you can see all of the disinterested people. You see the audience, but then behind the audience you see people eating ice cream, going for a walk.
Early in life, the world divides crudely into those who have had sex and those who haven't. Later, into those who have known love, and those who haven't. Later still - at least, if we are lucky (or, on the other hand, unlucky) - it divides into those who have endured grief, and those who haven't. These divisions are absolute; they are tropics we cross.
I'm glad about 'The Curtain Call' now, but I remember being very confused watching it all go down because I was right there behind the curtain watching it all, and I couldn't believe these guys were breaking kayfabe.
If you peek behind the curtain at any type of company, you'll see that things are far less organized than you'd expect.
I miss theater. I miss living the arc of the character, from curtain to curtain, and I miss the immediate audience response.
This site uses cookies to ensure you get the best experience. More info...
Got it!