A Quote by Matthew McConaughey

In romantic comedies there's a certain ceiling and a floor that you can't necessarily love as hard, or hate as hard, or have as much pain, because you sink the shop of the romantic comedy. But in a certain drama, like some of the ones I've been doing, the ceiling and the floor was my own. And in many ways, that was a higher ceiling and a lower floor, so that was more of a band-with for those emotions.
Aim for the sky and you'll reach the ceiling. Aim for the ceiling and you'll stay on the floor.
A window looks outside, but a painting should do the opposite - it should look inside of us. When I put them in the middle of the room, I attach the paintings at the top to the ceiling and on the bottom to the floor. I prefer this to just hanging them from the ceiling because it creates a place in a space, like a wall.
Tithing is a bad ceiling but an excellent floor.
Are you really sure that a floor can't also be a ceiling?
Every ceiling reached becomes a floor.
It's great bein' on tour with Mariah, just because it's like, sold-out audiences, and it's packed from the ceiling to the floor. And when the crowd screams my name, it's just like, exuberating, or something. It's like, my whole body fills up and my adrenaline pumps very, very hard.
I'm not one of those professors whose office is encased floor-to-ceiling with books. By the way, I think academics do this to intimidate their visitors.
My living room has an oak-wood floor, Persian carpets, floor-to-ceiling bookcases, a large ficus and large fern, a fireplace with a group of photographs and drawings over it, a glass-top coffee table with a bowl of dried pomegranates on it, and sofas and chairs covered in off-white linen.
Started underneath the floor, Now my money through the ceiling.
We're going to school for higher education in higher numbers, but the numbers still show we're not breaking though the glass ceiling. For every Nancy Pelosi and Hillary Clinton there are millions of women stuck in cement on the floor that are not getting up.
Original work has no floor and no ceiling. You can reach essentially zero readers or millions.
In an open adoption agreement, you agree to a minimum number of visits - a floor, not a ceiling. It's enforceable.
Shared world has done some world building and brings (in the case of FR and SW) a big audience. With your own work, you're more creatively free. In a way, the shared world stuff has a high floor but a ceiling.
Every ceiling, when reached, becomes a floor, upon which one walks as a matter of course and prescriptive right
What I saw next stopped me dead in my tracks. Books. Not just one or two dozen, but hundreds of them. In crates. In piles on the floor. In bookcases that stretched from floor to ceiling and lined the entire room. I turned around and around in a slow circle, feeling as if I'd just stumbled into Ali Baba's cave. I was breathless, close to tears, and positively dizzy with greed.
I stopped doing romantic comedies. I just stopped. They're terrible. They're bad. They're not funny and so they shouldn't be a romantic comedy because most of the time they're not romantic. They shouldn't be called romantic comedy.
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