A Quote by Matthew McConaughey

I think I can keep a rhythm to a beat, but there are quite a few people who would argue with me. — © Matthew McConaughey
I think I can keep a rhythm to a beat, but there are quite a few people who would argue with me.
The truth is there are people who are quite informed who still vote against their interests. I would argue that, as a Green Party supporter, I would argue that middle-class black people are voting against their interests oftentimes.
Humor is like music. It's a rhythm, and you just kind of get the rhythm of it, and you have to know not to let the beat go too long, but to leave a beat in there for it to gel.
The rhythm is below me, the rhythm of the heat. The rhythm is around me, the rhythm has control. The rhythm is inside me, the rhythm has my soul.
Quite a few people feel uncomfortable when faced with the claim that the Jews are the world's smartest people. In our politically correct era, one is not expected to argue that one group within humanity has an advantage over all the others.
I'm sure people would argue this, but I want to be different in everything I do. I don't think I've been the same in anything I've done, and I want to keep that up.
You're English," he said. "And I will therefore make certain allowances for you. I realize you don't understand you shouldn't argue with me, and so I'll explain it to you. Don't argue with me." Incredulous, she said, "That's it? 'Don't argue with me' is your explanation as to why I shouldn't argue with you?
The idea that rhythm is intrinsically human — not just primitive — that we all have hearts that beat at a steady rate and don't stop...reminds me of life itself. In that sense my music is like certain popular music where the rhythm drives from beginning to end.
You can argue with a philosopher, but you can’t argue with a good song. And I think I’ve got a few good songs.
I think that there are quite a few acts which have stayed with the basic feelings and that's good. And I see something of a swing back to that. For example there are quite a few people copying my early stuff now. Like it's become a reference point or something.
I see only one requirement you have to have to be a director or any kind of artist: rhythm. Rhythm, for me, is everything. Without rhythm, there's no music. Without rhythm, there's no cinema. Without rhythm, there's no architecture.
I think in everything we did, there's a sense of tension and a sense of things pulling in a different way. It's interesting calling it "beat music". That's quite true, the rhythm is up to the fore, it's got a slap bass, and it's got "funk" in the title. But I think there's always a level of irony when we did those kind of things.
If I think the universe is triangular, and you think it is square, there cannot be room for two universes. We may argue politely, we may argue humanely, we may argue with great mutual benefit: but, obviously, we must argue.
I think that the friendship that women share is so powerful. In fact, there's nothing quite like it. People talk about mother-child bonds, but I would argue that female friendship bond is also in a league unto its own.
Movies are pieces of film stuck together in a certain rhythm, an absolute beat, like a musical composition. The rhythm you create affects the audience.
The bartenders are the regular band of Jack, and the heavenly drummer who looks up to the sky with blue eyes, with a beard, is wailing beer-caps of bottles and jamming on the cash register and everything is going to the beat - It's the beat generation, its béat, it's the beat to keep, it's the beat of the heart, it's being beat and down in the world and like oldtime lowdown.
I think there's a lot of people out there who, if George Foreman had to get beat, I'm the one fighter they would like to see beat him.
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