A Quote by Matthew McGrory
I'd love to work on a script in collaboration.
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I would love to work with Salman. We have a great tuning so if we work together, it will be great fun. But till the time we don't get a good script, a script that excites both of us, we can't work together.
I love collaboration of all kinds, and I love the way that collaboration pulls me into directions I wouldn't go in if I was working on my own.
You get the initial script, and then things sort of change here and there, but the whole thing is this sort of mushy collaboration, which I love.
I trust my work. It's a collaboration with the material, and when it's viewed, it's a collaboration with the world.
The first and primary requirement for me in a director that I'd want to work with is: do they love writing, and do they love the collaboration process with writers?
It's always a fun collaboration with my brother. I'm very fortunate to be able to work with him. There's an honesty to collaboration. There's a lack of a gender or ego in our conversations. And so you can really throw anything around.
I'd love to work in the States; I'd love to work anywhere where you get a good script and a good part to play. But I do love British film as well.
Collaboration is when you find somebody who, literally, complements and gets you that you can work with. Collaboration is when you really, really want to work with somebody.
I structure the scripts and work on them on films and work on scenes with writers and but I haven't written a script myself, I really respect what they do and I'm fortunate I get to work with people that I really enjoy working with and we all kind of spitball and work together on these things, but I haven't written a script yet.
Id love to work in the States; Id love to work anywhere where you get a good script and a good part to play. But I do love British film as well.
I love making the backstory for myself. I think it's important. Every part I play, I work on the backstory. If it's fully written out in the script, or there are intimations of it in the script, fine. If not, fine, no problem. I'll fill it in, or I'll create what it is.
To make a collaboration succeed there can be no visible contusions or abrasions. For the collaboration to succeed, the relationship must be nourished and survive. That is absolutely essential for a collaboration to succeed.
I love an acting challenge, and I love getting to sit down with my script and do all my drama work.
Collaboration is being open to each other's ideas and benefiting from each other's perspectives in an open way. Collaboration is all about rewriting and rewriting and rewriting and helping each other to constantly improve a piece. And, it's also about spurring each other on to doing really great, hard work - it's easier to do it in a collaboration than on your own.
Every collaboration I do, I feel like I've benefitted in so many different ways; it all depends on the organization. With Moncler, there is such a heritage to the brand and to the way that they work. With Brooks Brothers, in the same way, having the heritage to draw from in that collaboration is invaluable.
First, you need to write the script, re-work on lots of things. First draft, second draft, once the final script is ready then you visualize which actors fits the role in that the particular script they've written.
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