A Quote by Matthew Mercer

I've worked on a lot of fighting games, so I was very used to the idea of combat sounds. — © Matthew Mercer
I've worked on a lot of fighting games, so I was very used to the idea of combat sounds.
I was a very happy child, so to speak. But, since we didn't have video games or television, and very little radio, in terms of a form of entertainment, I used to read a lot and I would draw a lot, and those two things used to occupy my time.
Combat is my profession and fighting was a great way to maintain a combat mindset while preparing to lead Marines in war.
I started out as a producer. and I used to work at Disney. and I worked with a lot of the animators and went on to become great friends with a lot of these guys and worked on a lot of projects together.
I used comedy as a way to combat my dyslexia. I was barely getting by scholastically, so I used a lot of humor.
Listening to the birds tells you different things about a place. I heard bird sounds I'd never heard before. I heard street sounds and country sounds and city sounds that are very different from what it is I'm used to and I get very fascinated about how that marks a place.
I've played a lot of games - I started very early, and the first 50 games were just warm-up games.
Machida Karate is for real combat. Other karate may be not for real combat because there are many rules for the competition, and a lot of the rules aren't good for real combat - you can't do some takedowns, you can't finish the fight on the ground. Machida Karate is very different.
I was a product of a divorced family and I used humor as a weapon to combat sadness. I used comedy to make my mother laugh in light of the darkness that she faced, and to me it became a very powerful tool at a very young age, at six. I saw how therapeutic it could be.
I used to play role-playing games a lot when I was younger, but once you start an RPG, it takes a lot of time. So I like things like action games you can just pick up and play.
My style became very technical. I sacrificed a lot of things. I was always hunting for the king, for the mate. I'd forget about my other pieces. Until a point it worked, and I won games that way.
I had some very fit people. I worked with a lot of athletes helping them, especially combat athletes, MMA fighters,[Dennis] Bermudez, [Chris] Weidman, and guys on the lower levels - boxers and MMA fighters.
I worked a lot in Chicago's theater scene as a fight choreographer. And so I do have a lot of experience in stage combat and also in Kabuki dance and Kabuki theater.
I have played a lot games, worked with a lot of these players and learnt an awful lot. I've got the knowledge and leadership qualities. So, its normal that under these circumstances that I got into coaching. I'm learning an awful lot.
I worked on the line, I've been an executive chef, I've worked for the Mets, I've worked for various steakhouses, vegetarian restaurants, a lot of Middle Eastern stuff. I've worked my fair share of a lot of different things. I've worked at festivals and street fairs, you know? I've been through it all.
I am now very interested in computer technology as it is used currently to make games. I think this technology is very powerful and could be used in new ways.
I think I'm getting better at being verbal. I used to have a lot of problems with it. I had my own little demons that I was fighting, and I used the banjo as an escape.
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