A Quote by Matthew Pearl
With James Reese’s vivid and chilling novel, readers will gain a whole new appreciation of two gothic landmarks, Dracula and Jack the Ripper. Not only does The Dracula Dossier grip us with its fast paced hunt for history’s most notorious killer, it also enchants us with sophisticated and lyrical recreations of its unique period and strong characters. A daring achievement.
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Kim Newman brings Dracula back home in the granddaddy of all vampire adventures. Anno Dracula couldn't be more fun if Bram Stoker had scripted it for Hammer. It's a beautifully constructed Gothic epic that knocks almost every other vampire novel out for the count.
Say what you want, I still think Dracula One and Dracula Two are creep-tacular.
To be in something as iconic as a Dracula film, and to be playing Jessica van Helsing, who would have been Dracula's choice for a bride, through history and beyond the grave, was a thrill.
The idea of Jonathan Rhys Meyers as Dracula, all I could think of was, why haven't they done this with him before? It's such a genius idea. 'Dracula' has always been done as film, so it's been an hour and 40 minutes. What we're done is 10 hours of 'Dracula,' so you have a lot of freedom with all the different mythologies and nuances.
Jack, get a grip of yourself.' I have a grip of myself.' Jack took a grip of himself. It was a most intimate grip; not the kind of grip that you usually take of yourself in public.
He's worse than Dracula because at least Dracula comes out of his coffin now and then. He seems to stay on his line and that's it.
I've likened Mignolet to worse than Dracula because at least Dracula comes out of his coffin now and then. He seems to stay on his line and that's it.
The 1890s was perhaps the most Gothic decade ever: 'Dracula,' 'The Picture of Dorian Gray' and 'The Time Machine,' not to mention 'Heart of Darkness' and 'The Interpretation of Dreams,' were all written between 1890 and 1899.
As a child, I saw this beautiful film, Dracula's Daughter, and it was with Gloria Holden and was a sequel to the original Dracula. It was all about this beautiful daughter of Dracula who was an artist in London, and she felt drinking blood was a curse. It had beautiful, sensitive scenes in it, and that film mesmerized me. It established to me what vampires were?these elegant, tragic, sensitive people. I was really just going with that feeling when writing Interview With the Vampire. I didn't do a lot of research.
I'll take any vampire fans I can get. Dracula isn't a serial killer story.
A friend once told me that the real message Bram Stoker sought to convey in 'Dracula' is that a human being needs to live hundreds and hundreds of years to get all his reading done; that Count Dracula, basically nothing more than a misunderstood bookworm, was draining blood from the necks of 10,000 hapless virgins not because he was the apotheosis of pure evil but because it was the only way he could live long enough to polish off his extensive reading list. But I have no way of knowing if this is true, as I have not yet found time to read 'Dracula.
Some of my fondest and most impressionable movie memories are from those early sci-fi and horror films. I've always been a Dracula/vampire aficionado, being half-Romanian myself. Dracula has always been close to my heart - in fact, I have a first edition of Bram Stoker's book. I read it over and over again as a young kid.
When I heard that 'Dracula' was being made into a series by NBC and Carnival, I couldn't resist. I knew they would do something interesting with it. A period drama with a supernatural twist seemed like a whole lot of fun.
Each of us needs something - food, liquor, pot, whatever - to help us survive. Dracula needs blood.
Robert Scott Leyse channels Baudelaire's Queen of Spades and Jack of Hearts, speaking darkly of dead loves, in this new book. He also reminds me of James Purdy's notorious eccentricity. There's plenty of middlebrow stuff if you want it. Self-Murder isn't that.
I'm often asked how I define "success." It's an overused term, but I fundamentally view this elusive beast as a combination of two things - achievement and appreciation. One isn't enough:
Achievement without appreciation makes you ambitious but miserable.
Appreciation without achievement makes you unambitious but happy.
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