A Quote by Matthew Pearl

If we think about what mystery entails as a genre, certainly a big part of it is a resolution. — © Matthew Pearl
If we think about what mystery entails as a genre, certainly a big part of it is a resolution.
I think a director can make a play happen before your eyes so that you are part of it and it is part of you. If you can get it right, there's no mystery. It's not about mystery. It's not even mysterious. It's about our lives.
With pop music and pop musicians, you know everything about everyone all the time, particularly their physical appearance. With female musicians, that's made a big thing of, and I think people, certainly with me, have appreciated a bit of mystery.
I do love science fiction, but it's not really a genre unto itself; it always seems to merge with another genre. With the few movies I've done, I've ended up playing with genre in some way or another, so any genre that's made to mix with others is like candy to me. It allows you to use big, mythic situations to talk about ordinary things.
I think certainly that looking for love is a big part of the show, but I think that if - there's one thing that is different about 'Sex and the City' and the message that I think has resonated with viewers, especially women. It's that you don't need to get married. You don't really need that love to be fulfilled.
When you're a young writer and you look at people praising a big hefty anthology that has uncovered a long lost genre, it can be disorienting to look inside it and think, "But what it's uncovered still isn't me. What does this mean? Do I not belong in this genre, or is there more of the genre yet to find?"
I think every filmmaker wants... I don't know about every filmmaker. I certainly want my films to just exist. I want them to be judged for what they are and analyzed, accepted, criticized, whatever you want to call it, on their own terms, not as part of some mall-cop genre.
We Americans are trained to think big, talk big, act big, love big, admire bigness but then the essential mystery is in the small.
There was after all no mystery in the end of love, no mystery but the mystery of love itself, which was large certainly but as real as grass, as natural and unaccountable as bloom and branch and their growth.
Maybe I had a 'secret identity,' but then when you think about it, don't we all? A part of ourselves very few people ever get to see. The part we think of as 'me.' The part that deals with the big stuff. Makes the real choices. The part everything else is a reflection of.
I think authors are just realizing there's no real reason to feel limited to a narrow set of genre rules in their writing. There's no reason a mystery novel can't have fantastic elements in it. Similarly, there's no reason why your epic fantasy series can't have elements of a mystery.
By embracing a label such as 'non-fiction,' the creative writing community has signaled to the world that what goes on in this genre is at best utilitarian and at worst an utter mystery. We have segregated the genre from art.
There's no UN resolution that allows the United States to carry out operations in Syria. You'll remember that in Libya in 2011 there was a great hoopla made about the importance of getting a UN resolution. Here there was no attempt to get any resolution. They simply bombed in Syria.
I think that different people are objectively attractive in different ways and a big part of the romance genre for me is in discovering what that true attractiveness is.
Saturday night at my house, I often trot out classic movies and force the urchins to watch them. There is much wailing and gnashing of teeth, but I think it's important to teach kids about American culture, and films are certainly a big part of it.
I think the hardest part about making a scary film is about being able to retain the mystery, especially when it comes to supernatural stuff.
Genre might certainly increase some of your narrative freedoms, but it also diminishes others. That's the nature of genre.
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