A Quote by Matthew Pearl

Considering what a prolific writer Dickens was, the word 'Dickensian' could legitimately cover a vast thematic territory, explaining at least some of the variety of its applications.
People say, 'You're like Dickens', but I'm not like Dickens. Zadie Smith is a Dickensian writer because she's writing about society now, just as Dickens was writing about his society.
When it comes to referring to Dickens's life, performing plays with your nine children for friends and family during Christmas is Dickensian.
Some consider themselves great because they have vast territory, some because they have finance, some because they have arms, some because they have vast populations, but, the real wealth, real greatnesss is virtue which earns the Grace of God.
I spend a lot of time thinking, if not daydreaming. People think of me as a genre writer, and a genre writer is supposed to be prolific. Since that's how people perceive me, they have to say I'm prolific. But I don't find that either complimentary or accurate.
All Dickens's humour couldn't save Dickens, save him from his overcrowded life, its sordid and neurotic central tragedy and its premature collapse. But Dickens's humour, and all such humour, has saved or at least greatly served the world.
Once my husband said to me, 'I'm going to have some coffee. Do you want me to put some hot water on for you?' I thought that was the least he could do considering I was giving birth.
I'm not a Dickens guy. In grad school I had to take at least one course on the Victorians, so I took The Later Dickens, because that was what there was.
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There is a vast territory between what we're trying to leave behind, and where we want to go - and we don't have any maps for that territory.
I actually thought it was quite nice to feel that I could legitimately take up extra space and not have to apologise for doing so. It goes with the territory and I think you have to embrace your pregnancy otherwise you risk having a terrible time.
But the novels of women were not affected only by the necessarily narrow range of the writer's experience. They showed, at least in the nineteenth century, another characteristic which may be traced to the writer's sex. In Middlemarch and in Jane Eyre we are conscious not merely of the writer's character, as we are conscious of the character of Charles Dickens, but we are conscious of a woman's presence of someone resenting the treatment of her sex and pleading for its rights.
Capra's great passion was Dickens. As soon as he had some money, he bought some of the rarest and most extraordinary editions of Dickens's work, and he was very proud of his collection.
I wrote the Dickens book because I loved Dickens, not because I felt a kinship with him, but after writing the book it seemed to me that there was at least one similarity between us and that was that Dickens loved to write and wrote with the ease and conviction of breathing. Me, too.
I think that most of us are aware that as writers we are seeking absences, we're seeking silences, we're seeking spaces that people haven't entered. No writer is saying, "Hey, I want to go to this very well trod territory and say exactly what someone else has done." I think the nature of a writer, because we are attempting to bring to light areas that people haven't seen before, tends in some ways to be progressive, at least in that light.
There's no limitation on comics, nothing. From a logical standpoint, how can there be a limitation on comics? You can use any word in the dictionary. You can put them in any order you want to. You can use a vast variety of illustrating styles. People could do all sorts of things.
Surprisingly, it was not an American but a British company that opened an amusement park in 2007 called Dickens World, located in the English county of Kent, complete with an Ebenezer Scrooge Haunted House, a Great Expectations Boat Ride and the as-advertised 'costumed Dickensian characters.'
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