A Quote by Matthew Perry
Women always think that I'm Chandler, so if I don't joke around for half an hour they think that something's wrong. Then I explain that I don't have comedy writers scripting everything I'm saying at this particular dinner.
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Women always think that I'm Chandler, so if I don't joke around for half an hour, they think that something's wrong. Then I explain that I don't have comedy writers scripting everything I'm saying at this particular dinner.
The nature of comedy is 'just do it.' But I think what's interesting about it is this joke has been around and why. And it's just saying what's wrong and how wrong can you be if you say it.
I think the biggest learned behavior that I would love to get rid of is that little voice that tells you, 'That's stupid. You shouldn't say that.' And then five seconds later, you hear somebody saying the same thing, and you think, 'Seriously, what is wrong with me?' I think, in particular, a lot of women do it. And that's a problem.
I think women are different, and I think having them in the room is crucial to a family comedy, ensemble comedy, television comedy, where half the eyeballs on your show are women.
I think, in a film that's supposed to last an hour and a half, I think you have to really pay attention to what kind of movie you're making, what is the audience experiencing, and does this joke fit with this joke?
We had a Judeo-Christian ethic hanging around a couple thousand years that didn't help erase racism at all. So the notion of the little half-hour comedy changing things is something I think is silly.
I feel that there are two kinds of writers. I feel that there are writers who are storytellers and then there are those just working out their obsessions. I think I'm a combination. I think, at least for these books, I'm going with fear. I've always been interested in fear. Fear is something I've dealt with in life, and I think it's the main motivating factor of everything, almost. From sex to politics.
A lot of times, comedy writers will go for the gay joke, and I've been vocal about saying, 'Go for the smart joke.'
If I could sew comedy and philosophy together, then I've done a good job. The primary goal is always going to be laughs and the secondary goal is always going to be saying something without it being a lecture. I think it's important to have substance for what you're saying.
There's this message to comedians in particular, that you shouldn't write it, and a television writer should write it. And that's a prevailing conventional wisdom that I think is really wrong. That's not to say that television writers aren't great, but I think that the belief that some comedy writer's going to be able to capture your voice is naive.
Every once in a while you definitely have to film someone for half an hour saying something that you do not think is funny because for the previous two hours they said a bunch of stuff that you think is really funny.
I don't much enjoy Back and Forth. I mean, I think it has its own particular qualities, but I think it's inferior to any of the half-hour ones we did.
I think Amy Poehler and Tina Fey have done so much for women in comedy in the sense that they've normalized it. You don't think, 'I'm going to watch that comedy starring a woman,' you think, 'I'm going to watch that funny show.' They refuse to play the foils for men, or be reduced to the butt of every joke, and I love that about both of them.
I always think any circumstances can be funny. Not that I'm irresponsible, but when things go wrong, I always come up with a joke or think of something funny to say.
I'm a big believer in comedy writers. I've always defended the honor of all comedy writers. It's extremely difficult, but I've always felt that comedy writers far more easily can move toward drama than vice versa.
I have some questions about betrayal,” I said. “Think about this: A person who calls you his best friend, and says he has dinner plans with you, goes off with a beautiful woman, saying he’ll be back directly, then makes you wait half an hour because he’s kissing the woman in the alley. Is that betrayal?” “Oh, Lord.” Eldric tossed back his wine.
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