A Quote by Matthew Porterfield

Baltimore holds a lot of mystery for me still, despite the fact I've lived there most of my life. I think its shares a lot of issues and dominant themes with other second-tier post-industrial cities in the U.S. It has a universal resonance.
Life holds one great but quite commonplace mystery. Though shared by each of us and known to all, seldom rates a second thought. That mystery, which most of us take for granted and never think twice about, is time.
I feel like 2013 was one giant snowball of me being confused with my place in life and within the group. A lot of it was self-confidence issues, a lot of outside issues, and a lot of me questioning the future of what I was doing. And my mistake was letting all that influence me so that I wasn't the best I could be in life!
A lot of the emotions we portray are universal themes that resonate with everyone, so the fact that people feel invested in our partnership is truly remarkable.
I think most of our eyes are trained to background being completely out of focus, but you can't do that with an iPhone unless you manipulate it quite a lot in post. You have to accept the fact that your film is going to look a little different on the big screen. Even though the resolution holds up, it does have something very different about it.
Life holds one great but quite commonplace mystery. Though shared by each of us and known to all, seldom rates a second thought. That mystery, which most of us take for granted and never think twice about, is time. Calendars and clocks exist to measure time, but that signifies little because we all know that an hour can seem as eternity or pass in a flash, according to how we spend it. Time is life itself, and life resides in the human heart.
You can't manufacture inspiration, so a lot of it is still a waiting game for me. There's still a lot of mystery to songwriting. I don't have a method that I can go back to - they either come or they don't.
I know a lot about fear in itself, and lived with fear a lot. Lived with anxiety a lot, lived with the things that - most human beings, at some stage in their lives, are going to live with these feelings.
What I wanted to do was put a woman of color, front and center, in my movie combining a lot of themes that were relevant to both men and women. I actively wanted her to carry the weight of this movie because I'm a woman. And I actively wanted to explore many of the issues that affected her as a woman of color. That was very important to me. And although these issues affect some women of color, I don't think they're only of interest to women of color. They're of universal interest.
I love big ensemble shows where there are a lot of things going on and you have to really pay attention because there's a lot of nuanced work and universal themes are being explored.
But music raises a lot of issues. Music is something that matters to people a lot, and they put a lot of passion into it. And I think when you have an area like that, you're gonna find a lot of issues coming up.
The people around me haven't changed. The people who have been in my life since the beginning are still in my life now. I think that has a lot to do with my staying grounded and humble despite the success I've achieved.
If somebody asks me about the themes of something I'm working on, I never have any idea what the themes are. . . . Somebody tells me the themes later. I sort of try to avoid developing themes. I want to just keep it a little bit more abstract. But then, what ends up happening is, they say, 'Well, I see a lot here that you did before, and it's connected to this other movie you did,' and . . . that almost seems like something I don't quite choose. It chooses me.
If the only common thread you have as an industrial company is the fact that you think you're well managed, you can still be a pretty good company, but you're not going to be a dominant company, a competitive company over time.
There's a lot of people that don't understand liberalism, there are a lot of people that I think, by definition, still need to be informed and educated that it isn't the soft, loving, compassionate stuff that it's portrayed to be. Trump speaks for himself. Who Trump is and what he's doing is not a mystery to anybody. It's the exact opposite of a mystery. It's in your face.
I think there's a lot of shame in American race relations. There's a lot of suppressed guilt that lashes itself out still. I see that all the time, and whereas opposed to sort of trying to address the issue in an up-front way, they're attacking and thus perpetuating the problem thinking that they're being sophisticated and post-racial, when, in fact, they're being completely regressive.
If I wrote about "being [abstraction]" I would be ignoring existential issues (such as death, limited-time, the arbitrary nature of the universe, the mystery of consciousness) that I feel affect me most in my life and think about most of the time. Another reason is that it doesn't seem specific or accurate, to me, to write about "being [abstraction]." I think there are some other reasons.
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