I always try and stay one step ahead of people, not looking like I looked like last week, so I can be as anonymous as possible and part of it is just for me. It is fun to just come up with new and bizarre colors for each area of your body and things like that, but there are some parts of it that I just keep wanting to negate myself. I hate waking up in the morning and recognizing the woman in the bathroom mirror.
The only parts I like out of any of those women books is the dirty parts. But I don't think their dirty parts are any good, really.
I don't really mind not being a part of a film - because if there is no part for me, I will never force myself upon a film. I feel like it's just a distraction. If it is not organically incorporated into the story, it just feels like a stupid appearance, like a sort of wink. I hate that.
You know when you throw a party, you think people will show up and no one will like each other. It's like that with music - parts of your musical psyche have never met other parts. You wonder if you should get them together.
Some parts stay with me for weeks afterward. It's these people that I play. They get under my skin, and I just can't let go of them. I have immersed myself into their lives and into their beings so much that they feel like a part of me.
Most of the characters I have in my children's books are grouchy or annoyed about something or are calling each other unfriendly names. Like my own kids, they're not honeys and sweetie pies and little angels. They're kids. Sloppy, dirty, stinky.
Well, I mean, we are developing the other parts, and we can't give quite all our attention to the upper part, but soon the lower parts will be developed, and the upper part and the lower part will become partners, that will be wonderful.
We are developing the other parts, and we can't give quite all our attention to the upper part, but soon the lower parts will be developed, and the upper part and the lower part will become partners, that will be wonderful.
With all of the divisiveness that is going on in the country we live in, so much of it is based around just fear of the other. And anyone who does not look like me, walk like me, talk like me, have sex like me, they're the other and I'm afraid of them. And hopefully we will learn that it's just not scary. There's nothing to be afraid of.
When I lace my shoes I can't stand when they are twisted and dirty. It just looks sloppy. Even if it's a new pair of Chuck Taylors and the laces are all twisted it looks like you don't care.
There are a lot of players when I watch them playing I say, 'Amazing, I want to do like them.' But not to be like them - just some parts to copy. But always be myself and always play my own style.
What I consider a good part for a woman and what some other Hollywood people think are good women's parts are very different. I don't' want to play the supportive girlfriend who has nine scenes and just loves that man, maybe cheats on him in one scene but will always be there, and I mean - give me a break. You'll be offered the "lead" in this new hot film with such-and-such A-list director, "a fabulous part" - a fabulous part? A fabulous part is a character with a soul, who starts here and goes to there, you know? There aren't many of those.
I remember when I started acting and didn't get a part and was really jealous of the girl who got it. My mom would say to me, "If you don't get a part, that means it's not your part. It's just not yours. You will have your parts." It really recalibrated me at a very young age to where I could be driven because I was trying to achieve things for myself, and that had nothing to do with what anybody else was doing.
I like to bump people, to feel me getting into somebody's jersey. I'm just different. I like contact, like physical play, like pushing and holding. But I'm not dirty.
I like to do new things, so I always take on roles that I feel will keep me on my toes. I never want to pigeon myself, so I always like to surprise myself. I believe in versatility and so I would play anything as long as it was a challenge.
To me, the coolest riffs are composed of two guitar parts that interlock like gears. You need both parts to make whole. I work things out on an electric that's not plugged in to make sure a good tone isn't forgiving a part that couldn't stand up naked. Only after the parts are written will I struggle to find a tone that supports the creativity.