A Quote by Matthew Quick

Life is not a PG feel-good movie. Real life often ends badly. — © Matthew Quick
Life is not a PG feel-good movie. Real life often ends badly.
Life is not a PG feel-good movie. Real life often ends badly. Literature tries to document this reality, while showing us it is still possible for us to endure nobly.
You feel touched by a movie in a good or bad way or you have a strong reaction to something that's totally artificial, to an imitation of life. But that imitation of life that you see on the screen can affect you almost as if it was real.
'Brooklyn's Finest,' this is the kind of movie that's why I want to be an actor, to tell real-life stories. This is where I feel my job is, to interpret life.
I am not an optimist, because I am not sure that everything ends well. Nor am I a pessimist, because I am not sure that everything ends badly. I just carry hope in my heart. Hope is the feeling that life and work have a meaning. You either have it or you don't, regardless of the state of the world that surrounds you. Life without hope is an empty, boring, and useless life. I cannot imagine that I could strive for something if I did not carry hope in me. I am thankful to God for this gift. It is as big as life itself.
How you choose to respond each moment to the movie of life determines how you see the next frame, and the next, and eventually how you feel when the movie ends.
In the movies, they make you look good and tough, but in real life, it's completely the opposite. I do these ueber roles, I think, because in real life I'm quite shy and reserved. In real life, I'm a dork.
[The main character] is in a forever-growing process. I feel the movie [everybody Loves Somebody] did that very well and not finishing off as "a woman's life ends when she finds the right guy".
I had given thought to acting, but I never really had a good enough opportunity or a character who made sense and paralleled my life a little bit. I feel like I'm one of the poster boys for a bad guy in a movie. I feel like I'm a good person to play a bad guy in a movie. I can say that.
I definitely prefer real-life endings. But I do like having an ending. I hate when a movie just sort of ends and is so open-ended you feel like it wasn't finished. I appreciate leaving things up to the interpretation of the audience and letting them make decisions about where things will go in the future - but the director has to make a decision; otherwise it is sort of a cop-out.
I can't not have something attached to like what actually happens in real life. Like I can't do a romantic comedy without there being something where like, in the case of Annie Hathaway's character, her character ends up having Parkinson's, you know? To me, I feel like that's love, you know? Like to me. So every movie has to have that kind of sense of that.
Sometimes I feel like I have walked into the middle of a movie. Maybe I can make my own movie. The film will be the story of my life. No, not my life, but of this experience. I'll call it what the lady who is the prosecutor called me. MONSTER.
I always feel freelance writers are leading a heroic life. I think that is the real writer's life. On the other hand, it's good to have another job. It gives you something to do.
Happy Endings are an illusion. Real life is filled with brief moments of fleeting happiness, but ultimately every life is a tragedy that ends in death and grief.
You can do a good movie, or you can do a good movie that can help people to feel the idea of what it is like to live. It can be good in an artificial way; it can be also a good movie for your own existence. You don't know that when you do a movie. You don't know if you succeeded, which is the most difficult thing.
If a movie is received badly, and I'm in only one scene of it, I still feel responsible. I feel like it was my fault at all times. If people were like, 'This movie sucks!' I'd be like, 'Well, that's because I'm terrible.'
My dream is to make the world's scariest PG movie. Because I feel that if you can do that, then you've done something special.
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