A Quote by Matthew Rhys

Any lie should be as close to the truth as possible. — © Matthew Rhys
Any lie should be as close to the truth as possible.
Glorify a lie, legalize a lie, arm and equip a lie, consecrate a lie with solemn forms and awful penalties, and after all it is nothing but a lie. It rots a land and corrupts a people like any other lie, and by and by the white light of God's truth shines clear through it, and shows it to be a lie.
In truth a clear-headed physicalist shouldn't be thinking any of these dualist thoughts. If pains are one and the same as C-fibres firing, then there really isn't any possibility of having 'one' without the 'other'. Once you properly appreciates physicalism, this dissociation should cease to appear possible - C-fibres with pains should strike you as no more possible than squares without rectangles.
A good undercover agent stays as close to the truth as possible, as close to your own personality and your own values as possible. This is the way you stay in character - you try to be yourself.
The truth is often a terrible weapon of aggression. It is possible to lie, and even to murder, with the truth.
Among other common lies, we have the silent lie - the deception which one conveys by simply keeping still and concealing the truth. Many obstinate truth-mongers indulge in this dissipation, imagining that if they speak no lie, they lie not at all.
The result of a consistent and total substitution of lies for factual truth is not that the lie will now be accepted as truth, and truth be defamed as lie, but that the sense by which we take our bearings in the real world - and the category of truth versus falsehood is among the mental means to this end - is being destroyed.
In the society of men the truth resides now less in what things are than in what they are not. Our social realities are so ugly if seen in the light of exiled truth, and beauty is no longer possible if it is not a lie.
As a journalist - or as a writer - my obligation is to come as close to the truth as I possibly can. And that's not as close to someone else's truth, but the truth as I see it.
What I've discovered is that in art, as in music, there's a lot of truth-and then there's a lie. The artist is essentially creating his work to make this lie a truth, but he slides it in amongst all the others. The tiny little lie is the moment I live for, my moment. It's the moment that the audience falls in love.
I say that in narrative paintings one should mingle direct contraries close by, because they produce strong contrasts with one another, and all the more so when they are very close together; that is, the ugly next to the beautiful, the big to the small, the old to the young, the strong to the weak; in this way you will vary as much as possible and close by.
People on the Continent either tell you the truth or lie; in England they hardly ever lie, but they would not dream of telling you the truth.
Picasso said, 'Art is a lie that tells the truth.' What if you just want to tell the truth and not lie about it?
Picasso said art is a lie that tells the truth. What if you just want to tell the truth and not lie about it?
I can't lie - I have one of those faces where you can tell. It's expressive and lends itself to being cheeky. I always tell the truth even when I should probably tell a white lie.
An injurious truth has no merit over an injurious lie. Neither should ever be uttered. The man who speaks an injurious truth, lest his soul be not saved if he do otherwise, should reflect that that sort of a soul is not strictly worth saving.
Governments lie; bankers lie; even auditors sometimes lie: gold tells the truth.
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