A Quote by Matthew Rhys

I've suffered from an identity crisis my entire life. It's why I went into acting. — © Matthew Rhys
I've suffered from an identity crisis my entire life. It's why I went into acting.
I have not suffered a lot for Christ, but I want to tell you that those times that I have suffered and I knew it was for Jesus, have been some of the happiest times of my entire life.
Women's liberation and the male midlife crisis were the same search--for personal fulfillment, common values, mutual respect, love. But while women's liberation was thought of as promoting identity, the male midlife crisis was thought of as an identity crisis.
There was no identity crisis in the life of Jesus Christ. He knew who He was. He knew where He had come from, and why he was here. And he knew where He was going. And when you are that liberated, then you can serve.
If you followed this economic crisis and you do not think that the world is getting flatter, you are not paying attention. We saw the entire global economy at one time acting totally in sync. The real truth is the world is even flatter than I thought. Our mortgage crisis is killing Deutsche Bank. You still don't think the world is flat?
This is the best message that I have been responsibly for it. This will help you, A, find your identity. Because you can never overcome life issues. You'll never overcome your condition without knowing your position. So identity. Significance comes out of identity, meaning life's purpose, your why in life. But the great thing is this book ['You are all that'] is so practical.
I've suffered through depression and anxiety my entire life.
If life were fair, we would never have suffered what we suffered at all; having suffered it and survived, we're still reacting to things that don't exist anymore.
There has been a banking crisis, a financial crisis, an economic crisis, a social crisis, a geostrategic crisis and an environmental crisis. That's considerable in a country that's used to being protected.
For my entire life, I've wrestled with my gender identity.
I did community theater and kids programs at professional theaters and plays at school and voice lessons for seven years. I stopped because it was so time-consuming. But then I realized that I had access to this world where I could go on auditions. And there wasn't too much of an identity crisis when I started acting professionally because I had been acting longer than I had been writing. It didn't feel new.
We already know enough to begin to cope with all the major problems that are now threatening human life and much of the rest of life on earth. Our crisis is not a crisis of information; it is a crisis of decision of policy and action.
The story of my life has been of public interest, which is why I've been so passionate about having a private identity. When I step into a character, people have to be able to suspend their disbelief; they have to be able to divorce me from Hermiona. And not having everyone know every single intimate detail of my entire life is part of me trying to protect my ability to do my job well.
Error ... is less an intellectual problem than an existential one - a crisis not in what we know, but in who we are. We hear something of that identity crisis in the questions we ask ourselves in the aftemath of error: What was I thinking? How could I have done that?
When you do a lot of acting your entire life, you see the entire set from one point of view. To have a chance to step back and pull it all together is really exciting. You want to do it all; you want to have a hand in everything.
I've spent my entire life trying to figure out why I was different than everybody else. Why is my voice so deep? Why am I so muscular?
The best way to get away from a crisis and yet hold on the reins without performance is to find a godfather who would save you at crisis and fool the entire world..This is how it has worked for me.
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