A Quote by Matthew Ridgway
Your job is to point that rifle into the other guy's face and shoot him dead.
Related Quotes
The sling is to a rifle what the holster is to a pistol. If you have a sling, chances are you will keep the rifle with you. If there is no sling present, you will set the rifle down. When you are at the absolutely farthest point away from the rifle that you can possibly get, you'll need it.
The totalitarian states can do great things, but there is one thing they cannot do: they cannot give the factory-worker a rifle and tell him to take it home and keep it in his bedroom. That rifle, hanging on the wall of the working-class flat or laborer's cottage, is the symbol of democracy. It is our job to see that it stays there.
Anytime we lose a game, you can't point the fingers at the guy that everybody wants to point the finger at because it's not just him. It's 10 other guys on the football field that need to help him out, including myself.
Politics is not about schmoozing, it's about boxing. And you have to enter the arena; you have to come close enough that your face would ready the face of the other guy; and the price is that he can reach your face.
I think you have to have a real point of view that's your own. You have to tell it your way. And, I think that it's a mistake to shoot for a specific magazine's point of view because it's never going to be as good. You have to shoot for yourself and photograph [ the way] you believe it.
The military doesn't teach rifle marksmanship. It teaches equipment familiarity. Despite what the officer corps thinks, learning to shoot a rifle is not like learning to drive a car. Instead, it is like learning to play the violin.... The equipment familiarity learning curve comes up quick, but then the rifle marksmanship continuation of the curve rises very slowly....by shooting one careful shot at a time, carefully inspecting the result (and the cause).
Shoot the dictator and prevent the war? But the dictator is merely the tip of the whole festering boil of social pus from which dictators emerge; shoot him and there'll be another one along in a minute. Shoot him too? Why not shoot everyone and invade Poland?
If a director brings a guy to their movie who does improv, they've got to let him do what he does - otherwise it's like bringing Michael Jordan to your basketball team and telling him to just pass the ball and don't shoot.
Regardless of the weight of the role, I feel like the job is always kind of the same. Who is this person? What's this guy here, what's he trying to say? And what's the volley with all these other people around him? So I don't feel like that part of it changes. I have not reached the point - if there's a point you reach as an actor where it's, "Oh, I got this figured out, I know how to do this". But I am happy to say that the primary building blocks of where you start, at least, there is a little bit of sameness to that. And that's always nice.
I think it's all machismo - 'Come on, you've got to guard your guy, man. If you can't guard your guy, then you can't play defence.' A lot of it is accountability, where you say, 'Hey, you're matched up with him. Go do your job.' The zone kind of sometimes moves a lot of pieces around.
I'm neurotic in the sense that I can have a crowd of 300 people cheering you, applauding you, standing O, but one guy come out of the audience and go, "Hey man, you should have cut 20 minutes. That wasn't so good." And I'll just obsess on that one guy. After all this love, I'll obsess on him and want to smash his face in and strangle him and kick him down the stairs and I'll be pouting about that one guy all night.
A story: A man fires a rifle for many years, and he goes to war. And afterward he turns the rifle in at the armory, and he believes he’s finished with the rifle. But no matter what else he might do with his hands, love a woman, build a house, change his son’s diaper; his hands remember the rifle.
You thrive off everybody on your team. If one guy's playing well, that makes your job easier. If a guy's shooting well, it makes your job easier. If a guy's rebounding well, it makes your job easier.
I do dead Canadians. If he's dead and he's Canadian and he's famous, I'll be playing him at some point.
You fought fair. If the other guy wants to fight and you knocked him out, you did your best for him. You didn't want to hurt him any more.
Same job, whether it's comedy or drama. Regardless of the weight of the role, I feel like the job is always kind of the same. Who is this person? What's this guy here, and how is he playing with this thing, and what's he trying to say? And what's the volley with all these other people around him?
Related Authors
Barack Obama Quotes
American
President
Benjamin Franklin Quotes
American
Politician
Cassandra Clare Quotes
American
Author
Deepak Chopra Quotes
American
Speaker
Donald Trump Quotes
American
President
Frederick Lenz Quotes
American
Author
George W. Bush Quotes
American
President
Henry David Thoreau Quotes
American
Author
Hillary Clinton Quotes
American
Politician
Mark Twain Quotes
American
Writer
Noam Chomsky Quotes
American
Activist
Ralph Waldo Emerson Quotes
American
Philosopher
Rick Riordan Quotes
American
Author
Rush Limbaugh Quotes
American
Entertainer
Sherrilyn Kenyon Quotes
American
Writer
Thomas Jefferson Quotes
American
President