A Quote by Matthew Specktor
Even though I think writers can sometimes thrive from being misread. It can give them something to push off of.
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I think writers can gain a lot of vitality from being misread.
To me it's just going for the moment that counts. Sometimes, I'll have all the elements there, and I like to play and push something, and to me, in the end, you do achieve things that you're not aware of in the beginning, even though you're there trying to get them.
Writers are such phonies: they sometimes have wise insights but they don't live by them at all. That's what writers are like...you think they know something, but usually they are just messes.
The one thing you know when you're shooting a script - and I've been on a lot of sets - is space is in a script, and the distance between the page and the stage is so enormous that it is unbelievable how even the brightest people can misread your intent or not see it altogether. Scripts have air in them. Scripts are supposed to leave things up to interpretation, but people can misread things enormously, so sometimes it's just a matter of wanting to put on the screen what you had in mind.
For instance, in group therapy, I'll have people stand up, show off, give a speech about themselves as though they've just died and have to give a eulogy. Even with this explicit permission - even an order - to say something nice about themselves, this is the hardest thing in the world for people to do. They'd rather take their clothes off.
Regardless of how I feel, I always push through all of my workouts before I get ready for the game, because even though I might not like it then, even though I might be a little tired or fatigued, in the long run, it pays off.
I can be surfing the exact same wave and then sometimes something will just set off, even if I'm riding the same board the whole time. Something will just set off and it just feels like you can push just that extra bit harder.
I like to push people till I get the truth out of them. Get them drunk, or whatever. Then discover what they really think. Push them and push them and push them.
Racing can still be good even though you don't push others off the track.
Sometimes you give a person everything. You give them all of you. You give them everything you got, and they just don't want it, or that ain't your match. So now the next person, maybe that's really something special, but you not even acting like yourself.
That's something I've certainly taken from writers like Gord Downie is that there is a whole potential for breaking out of meter. Even if you don't do it, you're permitted to. He gave a lot of writers permission to do that, to expand and push out the borders of what a rock song can contain.
I've had a lot of experience auditioning people, and I can do it rather quickly even though sometimes I let them linger and give them time, but I kind of know after I see them do a couple of steps. I know.
The amount of work that TV writers and executives do is incredibly hard. I'm shocked that these people will hand in three outlines and two scripts, and everybody has to read them and give notes on all of them, even the writers.
I think, to give our bookshelf a little credit, our area of the library and the bookstore has attracted stronger writers as it's started to thrive.
I love writing and can't imagine not being able to do it. I want an easy life and if it had been difficult I wouldn't be doing it. I do admire writers who do it even though it costs them.
Something passes between us that I'm pretty sure both of us can feel, even though neither one of us says anything. It's not even any kind of attraction, even though I've been feeling that on and off all night. This is something different.We have a secret now. A secret from Ava.
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