A Quote by Matthew Sweet

When I go to Japan and do shows I play for 1,000 to 1,500 people. I like a lot about Japan. Their popular culture and mass commercialization appeals to me. — © Matthew Sweet
When I go to Japan and do shows I play for 1,000 to 1,500 people. I like a lot about Japan. Their popular culture and mass commercialization appeals to me.
A lot of the characters I play on Japanese shows are actually acted in Japan by women. I don't know what that says about me.
I have a huge interest in Japan, which is well known, including its history and culture, and so it will be very interesting for me to see and learn more about Japan.
I do have love for Japan. At the same time, I have a complex relationship with Japan because I'm Korean. But I think it shows the strength of a country when you can talk about the past transparently.
I spent a lot of time in Japan. To me, I felt like my career was kind of marooned out there. I didn't realize the extent of the reach that New Japan had in America and around the world.
I actually feel like the phrase 'big in Japan' is not appropriate for me. The reason is that there are more people who sympathize with my practice in America than there are domestically in Japan.
I loved my time in Japan, and I am grateful to have had the chance to live in Japan and embrace the Japanese culture.
'Tampopo' is a deeply odd film about Japan, ramen noodles, love and sex. It made me very hungry and desperate to travel to Japan. It started my love affair with this amazing country, its culture, its food, its cinema and made me buy my first ticket to the land of the rising sun.
When I was a young guy, when I first started with G.E., Jack Welch sent us all to Japan because in those days Japan was gonna crush us. And we learned a lot about Japan when we were there. But over the subsequent 30 years, the Japanese companies all fell behind. And the reason why they fell behind is because they didn't globalize.
I knew I wanted to shoot in Japan early on. Years ago, we did a Japan segment in "The Community Project," and at the time I felt it was one of the better Japan segments ever captured.
If I go gambling the slots, some of my friends will come with me and play along with me. It's not like I'm starting out with $500 a pull or $1,000 a pull. I go in there and play $25, and if I win, I play $100s.
It's a little bit different to than U.S. in Japan. U.S. has a lot of respect for the sports, but not as much in Japan.
I got to travel to Japan. I never in my life thought I would go to Japan.
Japan is very much a TV-centered entertainment industry. So, when you talk about big stars in Japan, generally they are people who are on television. I work mostly in movies.
I remember my very first encounter with Japan. At that time, I was Deputy Mayor of St Petersburg. Out of nowhere, Japan's Consul General in St Petersburg came to my office and said Japan's Ministry of Foreign Affairs wanted to invite me to Japan. I was very surprised because I had nothing to do with Japan except being a judoka. This was an opportunity to visit Tokyo and a couple of other cities. And, you know, a capital is a capital everywhere: there is the official script and certain protocol. It is always easier to talk in the provinces, the conversation is more natural.
We have a long history with Japan. When South Korea play against Japan, the fans tell us that if we lose, they are going to throw the players into the sea.
Even though Japan and Germany were not formal allies at the time that Japan conquered Shanghai in 1937, still, Frenchtown was an area that Japan could take complete control of - and they did. And it was the locus of nightlife.
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