A Quote by Matthew Tobin Anderson

I could see my face, crying, in her blank eye. — © Matthew Tobin Anderson
I could see my face, crying, in her blank eye.
She looked up at him and her face was pale and austere in the uplight and her eyes lost in their darkly shadowed hollows save only for the glint of them and he could see her throat move in the light and he saw in her face and in her figure something he'd not seen before and the name of that thing was sorrow.
Out of the corner of one eye, I could see my mother. Out of the corner of the other eye, I could see her shadow on the wall, cast there by the lamplight. It was a big and solid shadow, and it looked so much like my mother that I became frightened. For I could not be sure whether for the rest of my life I would be able to tell when it was really my mother and when it was really her shadow standing between me and the rest of the world.
Each day brought just another minute of the things they could not leave behind. Jane Barrington sitting on the train coming back to Leningrad from Moscow, holding on to her son, knowing she had failed him, crying for Alexander, wanting another drink, and Harold, in his prison cell, crying for Alexander, and Yuri Stepanov on his stomach in the mud in Finland, crying for Alexander, and Dasha in the truck, on the Ladoga ice, crying for Alexander, and Tatiana on her knees in the Finland marsh, screaming for Alexander, and Anthony, alone with his nightmares, crying for his father.
Could you have seen that mother clinging to her child, when they fastened the irons upon his wrists; could you have heard her heart-rending groans, and seen her bloodshot eyes wander wildly from face to face, vainly pleading for mercy; could you have witnessed that scene as I saw it, you would exclaim, Slavery is damnable!
Just slap anything on when you see a blank canvas staring you in the face like some imbecile. You don't know how paralyzing that is, that stare of a blank canvas is, which says to the painter, ‘You can't do a thing’. The canvas has an idiotic stare and mesmerizes some painters so much that they turn into idiots themselves. Many painters are afraid in front of the blank canvas, but the blank canvas is afraid of the real, passionate painter who dares and who has broken the spell of `you can't' once and for all.
When kids run up to me and ask, 'What happened?' I just lean over and whisper, 'Cigarettes.' And once I was in a car and this girl at traffic lights was giving me the eye. She could only see my head, so I decided to do a 360 in the car seat to freak her out. Her face was like, 'Whoa, what is going on?' She sped off really quickly.
My wife's dying upstairs and I can't do anything about it. I look in her face and I see the memories there. I see how I hurt her and how I said the wrong things and how I got angry and how I wasn't the man she hoped I'd be. I see that in her face and I see she's going to die with that. You think I'm not preoccupied?
She glanced up at him, and in that moment he pulled his wet shirt over his head. She forced her mind blank. Blank as a new sheet of paper, blank as a starless sky. He came to the fire and crouched before it. He rubbed the water from his bare arms and flicked it in the flames. She stared at the goose and sliced his drumstick carefully and thought of the blankest expression on the blankest face she could possibly imagine. It was a chilly evening; she thought about that. The goose would be delicious, they must eat as much of it as possible, they must not waste it; she thought about that.
How could you miss it? Just the sound of her voice makes my chest feel tight, my face gets hot and my mouth goes dry whenever she's near. It's getting so bad, all I have to do is see her and I'm already thinking, 'What does she want? What can I do for her?' She's got some power over me, there's no question, and what else could it be? ~Razo
I saw through to the last sign and symbol, but I could not read her face. I could see only the eyes shining through, huge, fleshy-like luminous beasts, as though I were swimming behind them in the electric effluvia of her incandescent vision.
The loveliest face in all the world will not please you if you see it suddenly eye to eye, at a distance of half an inch from your own.
The piebald mare paws at the sand; I see her digging out of the corner of my eye and hear her grinding her teeth. That bridle's her curse, this island her prison. She still smells of rot.
I took one glance at her in that hospital bed under the dull light and recognised the look on her face, which I'd seen on donors often enough before. It was like she was willing her eyes to see right inside herself, so she could patrol and marshal all the better the separate areas of pain in her body.
Should I tell you one thing, I am blind from my right eye. I see only from my left eye. The one you see is someone else's eye which was donated to me after his death. If I close my left eye, I can see no one.
You had every right to be. He raised his eyes to look at her and she was suddenly and strangely reminded of being four years old at the beach, crying when the wind came up and blew away the castle she had made. Her mother had told her she could make another one if she liked, but it hadn't stopped her crying because what she had thought was permanent was not permanent after all, but only made out of sand that vanished at the touch of wind and water.
Laurel could not see her face but only the back of her neck, the most vulnerable part of anybody, and she thought: Is there any sleeping person you can be entirely sure you have not misjudged?
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