A Quote by Matthew Tobin Anderson

I write for teens partially to work out whatever it was that I needed to from my own teenage years. — © Matthew Tobin Anderson
I write for teens partially to work out whatever it was that I needed to from my own teenage years.
I remember [in teenage years] thinking there were a lot of check boxes out there to sort teens into appropriate molds, and they didn't seem to make check boxes for whatever it was that I had grown up into. I definitely explore that a lot in my novels.
Writing a book set in New Mexico was partially a way to express my own love for the state, and partially a way to prudently follow the advice to write what you know.
And they just slam the door. And they don't peek into that land any more. And they forget that teens and tweens are people, absolutely just as much as adults are. And their problems may play out on a smaller scale, but the things they go through are equally as valid as a CEO trying to figure out how to deal with a crisis at work. I just write for teens because I love 'em.
Other people have suggested that I write about teens because I'm perpetually stuck in that stage of my own development. That could very well be true. I would throw out that teens and tweens are just absolutely fabulous and the most interesting people on the planet. And it is a time of high drama, and everything matters.
As a little girl, I used to write stories, but by my teenage years, I got out of the habit.
Teenage years are hard. And, having taught high school for a number of years, I think they're particularly hard on teenage girls. The most self-conscious human beings on the planet are teenage girls.
Older teens tend to write to me and say, 'Thank you for not writing down to teenagers.' And then there are the letters from adults who say, 'This is such a good book; why did you write it for teens?'
I needed to be sexier. I needed to be more hip. I needed to be more edgy and this and that. 'No, don't write that kind of song, write this type of song. No, don't work with that producer, work with this producer. No, don't wear those clothes, wear these clothes.' And I didn't want to be a puppet, you know?
I see myself playing as long as I am partially enjoying the game and partially successful and they are paying me. But honestly, two more years is about all I can take.
I want to raise my kids, I want to get them through their teenage years. ... I do love my work with the UN and with PSVI so if I can do more of that and be more effective I will do whatever I can.
I just assume I'm right. Partially out of conviction and partially as a pose.
Mark Haddon's 'The Curious Incident of the Dog in the Night-Time' was published while I was trying to work out how to write 'Elizabeth Is Missing,' and reading the story of that impaired amateur detective gave me the licence I needed to attempt one of my own.
My teenage years were exactly what they were supposed to be. Everybody has their own path. It's laid out for you. It's just up to you to walk it.
I used to make everything myself. I used to do my own hair, make my own costumes, write my own jokes, and write my own songs. There were definitely some days where I had to choose between having tights that didn't have holes in them or having to buy makeup or something I needed for a show.
For whatever reason, that dream I had of going to Hollywood never went away. But when I got to LA at just 19 years of age, my faith was the foundation that gave me the confidence that I needed to believe that it would all work out and was a reason for the open and closed doors. Today, my faith is the center of my career.
I tend to boycott all teenage reading while I'm trying to write my own stuff.
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