A Quote by Matthew Tobin Anderson

We love fantasy novels in which the characters think that they're peasants but turn out to be princes and kings. — © Matthew Tobin Anderson
We love fantasy novels in which the characters think that they're peasants but turn out to be princes and kings.
Tis Fate that flings the dice, And as she flings Of kings makes peasants, And of peasants kings.
'The Golden Compass' became a bad experience because the studio didn't have faith in the strength of the ideas of the novel, which is ironic because it's one of the greatest fantasy novels ever written, if not the greatest, and they took the religion out of it and tried to turn it into a popcorn movie.
I did not set out to be beloved and just, only strong." 'A King can be better than that," the Prince insisted. "And so we all begin, determined to better our fathers' performances, knowing we can change the very nature of humanity, make it better, cleaner. But then daggers strike in the night, and peasants revolt, and all manner of atrocities become a necessity as breakfast. Only Princes believe in the greater good. Kings know there is only Reign, and all things may be committed in its holy name.
Princes rule the people, and their own passions rule Princes; but Providence can over-rule the whole, and draw the instruments of his inscrutable purposes from the vices, no less than the virtues of Kings.
Teen problem novels? I can go through them like a box of chocolates. And there are fantasy books out now that need a lot more editing. Fantasy got to be so popular that people began to think 'We don't need to be as diligent with the razor blade,' but they do.
I like going back in time and writing historical fantasy. I use some real historical characters as a background to give depth to the fantasy. And I throw my fictional characters into the midst of this, and, so far, it has turned out interesting.
In fairy tales, the princesses kiss the frogs, and the frogs become princes. In real life, the pricesses kiss princes, and the princes turn into frogs.
Academic Marxism is a fantasy world, and unctuous compassion-sweepstakes, into which real workers or peasants never penetrate.
While men compete in war, there will be warriors. While there are warriors, there will be princes among warriors. Among the princes will be kings, and among the kings an emperor.
With the Black Company series Glen Cook single-handedly changed the face of fantasy—something a lot of people didn’t notice and maybe still don’t. He brought the story down to a human level, dispensing with the cliché archetypes of princes, kings, and evil sorcerers. Reading his stuff was like reading Vietnam War fiction on peyote.
I don't go hunting with kings and princes.
My fantasy is that I could wake up looking amazing, that I could be strong and stop the bully, but that everybody would love me, too. I think that's intrinsic to fantasy - fantasy is fantasy.
I grew up on genre - on Westerns, spy thrillers, sci-fi, fantasy novels, horror novels. Especially horror novels.
We are all the judges and the judged, victims of the casual malice and fantasy of others, and ready sources of fantasy and malice in our turn. And if we are sometimes accused of sins of which we are innocent, are there not also other sins of which we are guilty and of which the world knows nothing?
The only form of fiction in which real characters do not seem out of place is history. In novels they are detestable.
If princes and kings were not exalted they might be overthrown.
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