A Quote by Matthew Vaughn
I don't believe in development. I believe in pre-pre-production, so when I sit down with an idea for a movie, I'm thinking I'm going to make this film. I don't think about anything else.
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I think some people get confused between development and pre-production. In pre-production, you know all your dates.You know when you're aiming to release the film. You've got your script. You've got everything sorted.
Making movies has not only been an incredibly collaborative process but there's three big parts: pre-production, shooting itself and then post-production, which leads into marketing. And if you're passionate about the movie and you believe in it, and it would make sense that you are having done it, then you want to get out and promote it. It makes it a lot easier when the film is good and people are enjoying it.
I have a notebook, and I know what decisions will be made in pre-production. Everything is pre-determined in the pre-production period. I visually design the whole thing, and I know when things will happen.
Pre-production and post-production is something that I've never been exposed to. I was pleasantly surprised that you could accomplish a lot during pre-production.
There's pre-production, and the second part is when you start rehearsal. Pre-production was a very large learning curve for me.
'Little Princess' was the first big movie that I did in America with big stages where we had kind of a different schedule to work. We had a great production designer, Bo Welch, and we had time to think about the movie in pre-production.
You could get in rehearsals, pre-production, anything that would actually contribute to the understanding of how a film gets made. I actually find those things increase people's interest in a movie and like that better than worrying about showing the tricks behind the curtain.
Actors play a small part in all the things that go into the making of a movie. I want to know about pre-production, post-production, shot divisions - everything.
I don't know that a movie like Doctor Strange couldn't have been the second or third film we made. I don't think we're doing anything in that requires past viewing, as opposed to Civil War which we wouldn't have done as the first or second movie because so much of that film is based on the pre-existing relationships between the characters.
I believe that we all have ambitions and we all want to achieve something. But the larger things in life that happen to us are already pre-meditated, pre-destined. So we should just romance life.
The director makes the movie. The director has to have the story in their head, has to know the style of the piece, has to answer questions from actors, design, set, lighting, every department throughout the pre-production, production, and post-production, because they've got it in their mind. They've got to know exactly what they want and what the style and story of the movie is. It's them. They make it.
I did sit in cinemas as a kid looking at English and American movies thinking, "Wouldn't it be great if the characters were like real people?" And the worst thing is films are constantly advertising themselves, drawing attention to their style of things. But actually I make films that I think are extremely sophisticated and cinematic. But you don't want the audience thinking about the bloody film. You want them to think about what's going on, and believe in it. Be flies on the wall, you know?
There's a certain time in the core of making a movie from pre-production to halfway through post-production I don't read any project, my agent will tell people that "he's not reading." And then when I know how the movie's probably gonna work halfway into post-production, I'll come along.
I teach biology, it's kind of a difficult science and time is limited. As far as I'm concerned, it's all about the students. I teach classes that are for majors, so some of them are pre-med, pre-pharmacy and pre-dentistry and veterinarians.
Only one time in my career I had that feeling [that this is not gonna get made], it was for this movie [Life of Pi]. It was right before we started the physical pre-production. I pre-visualized the whole ocean part before we made the movie, I was that prepared. At one point they seemed to want to drop it because it was really risky. The budget we proposed was a lot higher than they expected, they wanted to [drop it]. After all, it's a philosophical book and a literature property, it's not Batman.
I've gone to skin doctors and they'll say to you, 'We should remove this because it's pre-cancerous,' and I'll say, 'Explain pre-cancerous to me.' I'll listen for about twenty minutes and I'll say excuse me, 'Is pre-cancerous like pre-dead? So you're saying it could turn into cancer but it's not cancer?'
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