I don't believe in an annual dose of film music for the sake of it being film music. If we program film music, it will be because there is a real artistic reason for doing so.
Yes, TV is the dominant medium in Pakistan, but it was a conscious decision to have an Indian film as my first release. Being launched in an Indian film with a great script, character, and music is half the battle won. The rest is destiny.
One of the earliest memories I have of feeling the power of film music was watching Willy Wonka & the Chocolate Factory. That was a really clear epiphany for me, when I realized that each film has its own music, and that there was someone out there who wrote this very specific music for just this one film.
I'd say for a film composer, 'Star Wars' is kind of like the holy grail of film music. It's probably the best film music ever written.
I was able to lean on people for favors and things to help out because their budget was so low. It was half of what John Travolta's perk package is on a film. Our whole budget was half of what his staff makes on a film.
My mother is half-French, half-Malagasy, so I've been listening to African music, like Malian and Congolese music, since I was a child.
Morvern Callar's' a really weird film, in a sense, where I was trying to experiment with taking things in a different direction, and it kind of half works and it half doesn't. And I kind of felt with that film that perhaps I should have pushed it more into the realms of black comedy slightly.
Music, for me, in a film is never... I don't want to use music as a slave of the image. I want music to be art, or a body in itself to give something to the film.
The truth is 'Akaash Vani' was not a young film. The second half of the film was quite mature. It's unfortunate that not many people have seen the film, so I am still associated more with 'Youth Centric Films'.
I've actually done more [music for] films than television. I love the process of writing for a film. I love that you are creating this suite of music for a film, that's all tied together sonically and thematically and hopefully people associate with the film. They all are meaningful to me in different ways.
Music, to me, is the most beautiful form, and I love film because film is very related to music. It moves by you in its own rhythm... Imagine the world without music. Man, just hand me a gun, will you?
For me the best kind of film music is liturgical music. Liturgical music is essentially a million scores for the same film.
Film was something that I didn't see as a step up from music videos, though obviously, music videos, the fact that you work with a crew and a film camera, are the closest to film I've ever been. That is the only schooling I've ever had.
I grew up loving film and television. Film, in particular. I would never feel as inspired - it's sort of the same for music with me as well, but I never got the same kind of feeling with music as I did with watching film.
I used to be a film and music journalist, and wrote for different magazines in the 1990s. I still love music, but the experience destroyed my enthusiasm for film.
Robert Townson at Varese is a huge fan of film music and has really done a lot to educate audiences about film music and scores.