A Quote by Matthew Vaughn
What I learned very quickly is that if you get it right in the first two or three takes, it's not going to get that much better.
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A lot of documentaries have been made very quickly, but I think they're like frogs in an ecosystem: They're harbingers. Film is always two or three years behind, because it takes so long to write a script, get financing, and get it made. It just takes a while. But I think it's coming. It has to.
Many first-time novelists end up rewriting their first two or three chapters, trying to get them 'just right.' But the point of the first draft is not to get it right; it's to get it written - so that you'll have something to work with.
Thank God my hair is always the same. And I get dressed very quickly. I am not one of those people who spend three hours getting dressed. I never understood that. What do you do for the two and a half hours after the half hour it takes you to get ready?
I write very quickly; I rewrite very slowly. It takes me nearly as long to rewrite a book as it does to get the first draft. I can write more quickly than I can read.
If we each get on a treadmill right now, one of two things is going to happen... either you're going to get off first or I am going to die. Period.
Get the overall. Some of my films may have been crude at times, or tough, or missed the points, but I've tried to get the overall in. I think that's more important. You may miss a thing or two, but you move faster. If you can do it in three takes, do it in three takes.
I get ill when I'm writing because I'm so focused on it, and it can take a year or two. Often, I knock out the first draft very quickly. I can do it in five to six weeks. Then, it takes a year of rewriting it and rewriting it.
In my own experience, both personally and professionally, I've learned that you don't wait to confront reality. It doesn't get easier. It doesn't get better. And, in some cases, if you don't get the relevant information from people and act quickly, you start losing options. You're into damage control.
I write very quickly; I rewrite very slowly. It takes me nearly as long to rewrite a book as it does to get the first draft.
What I was going for in the first two albums I didn't necessarily achieve. Because I was young and because it was my first time out. And the second album was such a 'quickie' sort of 'Let's just get it over with!' But the kind of music I make, there's a lot of subtlety in it. And I think it takes a couple of listens to actually really get it.
Three takes. You're either going to get it, or you're not going to get it. There's no use persisting; it just had to work that way.
My best songs were written very quickly. Just about as much time as it takes to write it down is about as long as it takes to write it...In writing songs I've learned as much from Cezanne as I have from Woody Guthrie...It's not me, it's the songs. I'm just the postman, I deliver the songs...I consider myself a poet first and a musician second. I live like a poet and I'll die like a poet.
We were so limited on time for 'No Burden' that we didn't get to overthink anything. There was no going for the perfect take, or even going for three takes. It was kind of nice because what you're hearing is our first impulse.
Honestly, it takes a lot of dedication and sacrifice. When I was trying to get better a couple years ago, I was not going out. I had a couple of people get mad at me. I wasn't going out and partying, I was just doing what I had to do to get better.
The first time I worked out I almost threw up. I did not feel good at all. My friend said, 'You have to get past the first month, you're going to feel so much better.' And she was right: After about 30 or 40 days, I saw changes.
A lot of artists feel it's not worth it to sign with a major label, because if you don't have a giganto hit, then you're not going to get a video made. You're not going to probably get much tour support. You're not going to get promotion. You're certainly not going to get a publicist who's going to pay much attention to you.
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