A Quote by Matthew Vaughn

High-concept one-liners were huge when I got my start in the film industry. — © Matthew Vaughn
High-concept one-liners were huge when I got my start in the film industry.
I fell for a Spanish woman and followed her to Spain. We got married there, and then I got involved in the Spanish film industry and got the material for 'Barcelona.' It was my way of breaking into the film industry.
Part of the concept of the euro zone was to establish a common market. The banks were going to bank across all their countries like we bank across states. But that concept got killed for a whole bunch of reasons that I won't get into. That was a good concept, by the way. It may yet return, because there are huge economies of scale in banking. That's another thing people don't quite get.
When I was in high school I saw Steven Wright, a brilliant one-liner comedian, and I thought: 'That's what I should do; I should write one-liners.' And I did. My first album is mostly one-liners.
After I got into the industry, I got into fashion because before that, I wasn't really into fashion because I couldn't really afford anything. After, I got into this industry, and then I could start to afford them. I started to get into more of the high-fashion stuff.
I finally got to junior high and I got to start saxophone. There were a few of us that were in the beginner band in sixth grade that made it to the advanced band, which was called the morning band at our junior high school in Staten Island.
In Bollywood, the film's stakes are as high as the actor. In Hollywood, they are way above, and the day we realise this in our industry, we will start appreciating actors.
It looks to me as if Darwinians are like someone who, having observed that tugboats sometimes maneuver ocean liners in tight places by directing high-pressure streams of water at them, concludes that he has discovered the method by which the liners cross the Atlantic.
When I started my first film, there were three women directors in France. Their films were OK, but I was different. It's like when you start to jump and you put the pole very high - you have to jump very high. I thought, I have to use cinema as a language.
With a franchise movie, it's got to turn the wheels of the industry, and the studio has to have them. So you start with a release date. They say we're going to make a new 'Bourne' film, and it comes out summer of X. Then they start on a script, and invariably, the script is not ready in time.
Small wastebasket liners, $1.17 ... tall wastebasket liners, $2.29 ... garbage can liners, $3.98 ... I think I just spent $7.44 buying something I'm going to throw away.
The only benefit of my dad being in the film industry was that I got a reality check right from the start. I wasn't delusional and didn't want to be an actor just for the glamour.
When I was young, the concept of being a dreamer was a very negative one. If you were a dreamer, you were useless. You didn't contribute anything to society. But Star Trek made dreaming legitimate, and I think that was a huge, huge contribution.
When I entered the industry in the early 1970s, I was a gold medalist from the film institute, Pune. That was when graduates from the film institute were very quickly absorbed by the mainstream commercial industry.
In middle school, I started to draw, and my pencil sketches were huge. They were these 4ft by 3ft drawings, and I got a lot of attention for that, so that was very validating. But I didn't start cartooning until I was in college.
But at the same time, the film industry just got torched. The risk tolerance for the types of movies we're talking about is lower, and the reason for that is that the captains of the industry were asleep at the switch when their core business was being disrupted. And they're never getting it back. In a way, it makes it all the more exciting when the good ones get through.
In my short film, 'Gasman,' I shot it at a kid's party. And the kids were just having a party - they couldn't care less about our film. But that was great because we got this amazing footage where kids were drinking soda and pop or whatever, and getting that sugar high and beating each other up or dancing.
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