A Quote by Matthew Vaughn

I'm not an actor. I'm really bad in front of a camera. It wouldn't work. — © Matthew Vaughn
I'm not an actor. I'm really bad in front of a camera. It wouldn't work.
It's not just the actor in front of the camera. And it's important to have respect for all those people that work behind the camera.
I've always said the one advantage an actor has of converting to a director is that he's been in front of the camera. He doesn't have to get in front of the camera again, subliminally or otherwise.
I work primarily for the camera-it's not something I really talk about a lot, but it's part of the way I am as a movie actor. The camera is my girl, as it were.
When you come from a star family in the South, you're expected to be really good in dance and fights. It's really important that you open up as an actor in front of the camera.
There's a subtleness to camera work. You can really create intimate moments on camera and sometimes that requires a little more precision from an actor, because you have to pull people in as opposed to throwing it to them.
There's a subtleness to camera work. You can really create intimate moments on camera, and sometimes that requires a little more precision from an actor because you have to pull people in as opposed to throwing it to them.
The truth is, an actor's performance is the result of work by a lot more people than just the actor. When you see that character portrayed up on screen, there is the work certainly of the actor, but there's the work of the editor, there's the work of what the camera was doing. What the music was doing, all of the above.
Acting time is like flight time: You can work on a simulator, you can rehearse, but unless you're really in front of the camera or on a stage - that's when you really learn how to work it.
I want to be the person who eventually doesn't have to be in front of the camera. I can be behind the camera and really change things cinematically, and this is giving me an opportunity to do something behind the camera, which I really want to maximize.
I was always in front of the camera. My mom was really passionate about photography - I have pictures of my whole life. I've always just been in front of my mom's camera and it's always comfortable to me.
I was always in front of the camera. My mom was really passionate about photography - I have pictures of my whole life. I've always just been in front of my mom's camera, and it's always comfortable to me.
I don't like to put too much effort into things. I find that once you get involved with special effects it is no longer about what is happening in front of the camera and I really want to concentrate on what is happening in front of the camera, like the man apparently peeing on the surface of the screen.
Sometimes, during a shoot, an actor might fail to turn up or there might be a need for an actor for a scene... and then if the director asks me, I step in front of the camera.
I could never imagine myself acting in front of a camera or doing anything in front of the camera. I was a very shy girl.
Being on set in front of the camera, it makes me happy and extremely grateful whenever I'm in front of the camera.
I had to go in and do the work of toning [invented "historical" bits] down in order to make them fit [in Lincoln in the Bardo]. It's like if you're an actor and you're always overacting, well, you're a bad actor. But if you're an actor who subdues yourself to the extent that's necessary, then you're really acting.
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