A Quote by Matthew Vaughn

Cliches are what make you understand something. — © Matthew Vaughn
Cliches are what make you understand something.
Beware of clichés. Not just the ­clichés that Martin Amis is at war with. There are clichés of response as well as expression. There are clichés of observation and of thought - even of conception. Many novels, even quite a few adequately written ones, are ­clichés of form which conform to clichés of expectation.
Two cliches make us laugh. A hundred cliches move us. For we sense dimly that the cliches are talking among themselves, and celebrating a reunion.
One of the problems of this genre is that there are cliches everywhere, and you've got to be careful and watch out. Our rule with cliches is to either gently acknowledge them and make fun of them, or do something else. Milady is, in one sense, a villain because she does bad things.
There are no worse cliches than southern cliches. They make my skin crawl.
To idealize: all writing is a campaign against cliché. Not just clichés of the pen but clichés of the mind and clichés of the heart.
When all the archetypes burst out shamelessly, we plumb the depths of Homeric profundity. Two clichés make us laugh but a hundred clichés moves us because we sense dimly that the clichés are talking among themselves, celebrating a reunion. . . . Just as the extreme of pain meets sensual pleasure, and the extreme of perversion borders on mystical energy, so too the extreme of banality allows us to catch a glimpse of the Sublime.
On the one hand, rock is so predictable, but at the same time, the basic idea that an artist can cut through everything and make something that they believe in or make something that they love or speaks to them personally, that it can cut through the bullshit. But at the same time, the cliches of sincerity can kill that.
Clichés are what good writing is all about. Because our lives are basically clichés.
I'm not a guy who likes cliches. I don't think that stereotypes and cliches are the end of the line, when it comes to a performance.
The reason that clichés become clichés is that they are the hammers and screwdrivers in the toolbox of communication.
I'm sick of the old cliches. Bring me some new cliches.
When told a script was full of old cliches: Let's have some new cliches.
In every election in American history both parties have their cliches. The party that has the cliches that ring true wins.
It's really easy to make a movie that five people understand. It's really hard to make something that a lot of people understand and yet is not obvious, still has subtlety and ambiguity, and leaves you with something to do as a viewer.
When you're a writer, you want to try to avoid cliches. Unfortunately, when you're writing about marriage or family, all cliches seem to apply.
Clichés can be quite fun. That's how they got to be clichés.
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