A Quote by Matthew Vaughn
Some things that work in a comic don't work in a film, and vice versa.
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It's ludicrous to think people work for you: 'a film by...' doesn't exist. Directed by, maybe, but it's a film from a collective, a group of people whom you consult and seek your counsel and advice and vice versa, too.
I can bring some of my life experiences as I act, but it may not work vice versa.
Film is such a director's medium; you're really in their hands in terms of the real storytelling. As an actor, you can give a performance moment to moment and some of your takes will be used and some of them won't. I think there are great films you can make with bad performances, and vice versa. There are all combinations of those things. It's really down to the director what happens, I think, so that's why it's really good to work with very talented, bold directors.
The more you work, the more people see your work and would like to work with you, and vice versa.
A live audience with live reactions feeds a different sort of acting that will then inform your film work, and vice versa.
Some things definitely work better on film than in books. Introspection is great in books but it doesn't work on film. Anything with high intensity, whether it's a love scene, a car chase, a fight scene - those things work so well on film and oftentimes they can tell a much broader part of the story.
Write comic books if you love comic books so much that you want to write them. Don't write them like movies. Comics can do a lot of things that movies can't do, and vice versa.
My hobbies hardly leave me time for work, or vice versa.
Having a good director is very important. It's crucial. When you do good work with a certain director, you want to work with them again, and hopefully vice versa.
Rob is incredibly supportive. When I work he takes care of the kids and vice versa.
Just because I'm a younger artist doesn't mean I can't work with a veteran and vice versa.
For some sport is a hobby but for me it is a way to survive. It makes me calm, balanced and well-rested. Not tired but vice versa. I think sport balances off my work load.
I don't have a particular genre that I want to stick to; if you work on a small piece, you take that experience with you when you work on a big piece and vice versa. You will take those experiences with you and they will make the next one richer.
The bad things about theatre get balanced by the good things in film and vice versa. So to tell you the truth, I love it when I can go back and forth - it feeds different parts of you and exercises different muscles.
My feeling about work is it's much more about the experience of doing it than the end product. Sometimes things that are really great and make lots of money are miserable to make, and vice versa.
It was invaluable to have a dear friend who you have known for over a decade, be a partner in a film like Titanic. To have somebody that talented to work against, who's also your friend and who you know you have the best intentions for and vice versa, and who you intrinsically trust to give you their forthright honest opinion about what we're both doing - all that's something you can't really buy.
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