A Quote by Matthew Vaughn
I was so nervous about 'Kingsman,' I can't tell you, because when you do things different and fresh and fun and crazy, you don't know how people are going to react.
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You know, different people are going to react different ways. And I don't think we should be intolerable because people do things a little differently.
There's something great about being a really young actor because you don't have a chance to be nervous. You don't know anything yet. Whereas one of the big challenges as you go through - I've been doing acting professionally for 10 years now - is to not let all the things that you know hold you back and make you more nervous. Once you've had a few people tell you that they don't like your ideas, that voice in your head can creep in that says, "Don't tell them what you think."
Every single night I'm nervous. You never know how the audience is going to react.
I don't ever know where I'm going. Because one of the wonderful things about writing, which is different than working in programming, you don't need to know. You could just write and discover where you're going. And it's a great deal of fun.
There's times where you get the loud, crazy comments from me, and there's times where I say basic things, and stay quiet because I don't want to cause any drama. Sometimes I'm in the mood where I'm just going to tell it how it is, and have fun. And whoever doesn't like it, OK.
Sometimes I feel like people don't even know how to react in some situations because of online culture. Since many things are online, you might not react to something that is happening live.
It's totally different. I usually don't tell people about the Pleased if they know me from the harp. And if they are there to see the Pleased, I usually don't tell them about the harp. I am nervous that these people will expect something similar.
So while most people dealt with the scale every Monday at the Berea training facility nervous about how high the number was going to be, I was the one that was nervous about how low the number was going to be.
Every podcast network has a different culture as far as I can tell. How they run things at Nerdist is totally different than how they run things at Earwolf is totally different than All Things Comedy or Maximum Fun or Feral Audio. And it's different if it's independent.
If we go about apologizing for speaking to people of the things of God, we must not be very much surprised if they catch our timidity and they feel awkward and we feel awkward. There is a certain shyness and awkwardness about us when we go to tell men and women of the things of eternal life, which react upon them until they become nervous and awkward too.
You know, I'm the mayor of Realville. I'm Mr. Literal. And I never saw the benefit of complaining and whining and moaning. I don't complain and whine and moan anyway, and I don't deal well with people that do. I don't know how to react to complaining, other than say, "Oh, gee, I'm sorry." I don't know how to react to whining and moaning. It kind of bothers me. So I don't do it myself. Lord knows, I got all kinds of things. I could spend the rest of this week whining and moaning if you wanted me to about things. I just don't.
There's no doubt about it: fun people are fun. But I finally learned that there is something more important, in the people you know, than whether they are fun. Thinking about those friends who had given me so much pleasure but who had also caused me so much pain, thinking about that bright, cruel world to which they'd introduced me, I saw that there's a better way to value people. Not as fun or not fun, or stylish or not stylish, but as warm or cold, generous or selfish. People who think about others and people who don't. People who know how to listen, and people who only know how to talk.
A grandparent will tell you, "Have fun!" and a parent will tell you, "Be safe, do a good job, make me proud." You know what I mean? I try to grandparent myself now, because it's important to have fun, it's important to impart the fun in things to other people.
If I'm not nervous, I'm nervous. You never know how people are going to receive the work.
I really try to avoid, you know, rolling out the history. The people are so important to me, and what happens to them, how they react, how things happen to them, this is what is important. I feel that if I can tell THAT story well, then people will go and Google the rest and fill in what they need to know.
I'm a nervous sharer. I'm nervous to share things in their unfinished state just because, I mean, it's kind of embarrassing. You know what it could be, but you can't explain what it's going to be.
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