A Quote by Matthew Weiner
It's impossible for me, without getting a big wide shot of Manhattan, to convince people that it's another day. But if we go to a commercial and we come up and people are in different clothes, you know it's another day.
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We're in a digital age where it's cool to be on your iPhone all the time. All of out-of-school activities my daughter has such as piano one day and acting another day and dance another day are about getting her away from that. People are on video games and their phones, and it's taking up all their mental space.
I know I dress up for stage but that's a different story, if you see me in my day to day clothes, I am on a much different vibe to what I used to be.
I want to be thankful for all of the things that I've been blessed with, and I've had a great run. I have a huge fan base, and I'm still able to work a lot. I don't know if I'll ever have another big impact record on commercial radio again, but you know, everybody's gonna have to face the reality that their day's gonna come to an end, too.
But it's morning. Within my hands is another day. Another day to listen and love and walk and glory. I am here for another day.
I'm very interested in clans and the way people group together, and there's a lot of group shots. There's a lot of people in positions that people feel like they're in attack mode, kind of pointed at each other in the frame. I'm not a big fan of shooting something that looks like it could belong in any movie, I'm not a fan of okay, "wide shot, wide shot, medium shot, close-up, close-up, we'll figure it out in post." I hate that.
If people wake up and go, "Oh, where's the coffee," or "Oh, another day," that does not set a good tone for the day.
People never fail to amaze me. They face the unimaginable with a shot of grace and a rush of adrenaline; they steel their nerves; they summon their cool or anger or faith or whatever it takes to pull them through, and they go on to live another day.
It's the city's crush and heave that move you; its intricacy; its endless life. You know the story about Manhattan as a wilderness purchased for strings of beads, but you find it impossible not to believe that it has always been a city; that if you dug beneath it you would find the ruins of another, older city, and then another and another.
Saturday The 14th movie is a cult classic. And you know another one like that that I did, is Three O'Clock High. People come up to me about those two all the time. Film schools even study Three O'Clock High. Shot for shot, it's a textbook.
Another day, another dollar, another war, another tower Went up where the homeless had their home.
People are fed up of politicians who say one thing one day and another the day after.
One day it was that I wanted to go make a movie with my kid and then another day it was that I wanted to climb Mt. Kilimanjaro and another day it was that I wanted to sit in the studio and figure something out. All those things manifested themselves into what the TV show was.
I had the opportunity to play every day in the minors, and everybody knew me in the minors. In the big leagues, it was a little different. It was up and down and up and down, and I didn't get a chance to show people that I can play every day and I can be a superstar. Now, I can show everybody what they are getting from me.
But the people did get it. They had lost something -- not exactly their fear, but their patience. Suddenly it seemed unbearable to go on accepting these systems, these portly little idiots in their blue suits, for another year, and then for another day, another hour. That special sort of impatience is the power-surge of revolution.
I never let people see me without makeup. And it's not an insecurity thing. The perk of being a girl is being able to wear makeup and dress up. It's another artistic outlet. And the 45 minutes it takes me to get ready... is very therapeutic for me. It's hard to start my day without that.
I could have been in a house show the day before being flown in to do the Survivor Series. I'd do that pay-per-view, then fly out the next day to go do another house show. The pay-per-view just happened in the middle of a 30 or 40-day road tour. For us back then, the WWF talent, it was just another day of work, another day of being on the road.
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