A Quote by Matthew Weiner

I'm very supportive of creative people being paid for the work that they do. — © Matthew Weiner
I'm very supportive of creative people being paid for the work that they do.
Everyone is creative, but me and my colleagues are using a different definition of creativity than is implied when people say they are not creative. We believe that people are being creative if they are bringing out their highest inner resources to improve their lives and those around them. Those who are living from their core, and doing what they are destined to do, are being creative, no matter how mundane their work or profession might seem.
I’m not very creative” doesn’t work. There’s no such thing as creative people and non-creative people. There are only people who use their creativity and people who don’t. Unused creativity doesn’t just disappear. It lives within us until it’s expressed, neglected to death, or suffocated by resentment and fear.
My parents are very supportive of my work. It's my father who encourages me to keep going and my mother she's very proud. She's keen that I do something creative rather than just printing money in some city bank, you know which I couldn't have done, anyway.
All too often, when creative people pick out someone else's creative work as an inspiration, what they end up with is very, very far from the original.
I feel very indebted to my job. I support the loyalty that they've given me - it's very rare, especially in my profession, that you find people who are not just supportive of who you are as a person, but supportive of you finding love and your happiness.
Regardless of any feedback. I love being a solo artist and having creative control. But it can be very nourishing and informative and flex very different creative muscles to work for someone else. You are essentially employed by the director. I love the challenge of that.
The first time you have a little success, some good feedback, you start imagining having a career, or being a professional musician. But while being creative, or doing creative work, is very natural for humans, to think of that as your main occupation, that's a really important transition.
Family-supportive policies, which enable women to remain and progress in paid employment and encourage men to take their fair share of care work, are crucial to achieving gender equality at work.
Being an MP is a challenging job - it's strange hours, and if you have another half, they have to be supportive. But it can be very flexible, and of course you get recesses, which I find work very well around school term times.
As artists and creative people it's such an important time to be expressive and be empowering and supportive of people. It is a time where I feel like everyone has to be together and say, "Hey, we're all going to be okay. We just need to work together."
The model we established was to give creative people complete creative freedom in exchange for betting on themselves, so they work for the minimums you're allowed to work for, and if the movies work in a big way, everyone does very well. If the movies don't, nobody loses too much money. The benefit to doing all the movies low budget is we can tell different types of stories and take creative risks. The Purge would have been irresponsible to do for $20M, but to do it for $3M makes sense.
People's creativity is very much alive, but when they get paid for their creativity, they often experience that as rather meaningless. Money as the reward for their creative process is very one-dimensional, a tremendous comedown.
The highest prize we can receive for creative work is the joy of being creative. Creative effort spent for any other reason than the joy of being in that light filled space, love, god, whatever we want to call it, is lacking in integrity. . .
People who work for me know that family comes first. And I'm fortunate to have a family that is very supportive of the work I do, so I don't have to live two separate lives.
The secret of the creative life is how to feel at ease with your own embarrassment. We're all in the dirty laundry business and we're being paid to take risks and look silly. Race car drivers get paid to risk their lives in a more concrete way; we get paid to risk our lives in an emotional way.
A chance to collaborate with one of my favorite bands in a completely open and supportive creative environment... some our best work.
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