A Quote by Matthew Williamson

I'm not one to pat myself on my back, but I have had a career for 20 years, and if people are interested in how I did it or if I can give any advice, then that's lovely.
If I were to give myself a pat on the back, it would be for sticking with bookmaking as my primary way of expressing myself over the span of fifty years.
The advice I've been giving to people all my life - that you may not be interested in the dialectic but the dialectic is interested in you; you can't give up politics, it won't give you up - was the advice I should have been taking myself.
If I had any advice to give people, it would be to relax; never treat an audition like an emergency. There will be plenty more in your career. If you think you messed up, you probably didn't. And if you did mess up, it's not the end of the world.
When I see myself at 14 years old I can put my hands on my head and think: 'How could I have done that?' but at that time it had sense for me. You do the same when you're 20. And now, when you look at people who are 20 years old you ask yourself: 'Was I like that? Was I really like that?'
The game shapes you. I played for 20 years at all levels, apart from the Premier League. I had a disaster at Bristol City, where in two years I learnt more about myself, the industry, fans, how you get treated, than I ever learnt in my career.
I was bad at sports and picked last every day. I couldn't quite figure out what my role was in the social order, so I decided I was interested in comedy. And what was then interesting was, nobody else was interested in it at all. I didn't find one friend who was interested in comedy until I moved to California and met other comedians. And suddenly I knew hundreds of people who knew as much about SCTV as I did. But it took me 20 years to find those people.
I'd like to thank myself, and congratulate myself, and give myself a big pat on the back.
I'd like to congratulate myself, and thank myself, and give myself a big pat on the back.
Back at the beginning of my career, I had to make all these sacrifices - sleeping in a car on nights where I'd wrestle in front of 20,000 people - because I wasn't making any money.
People need to know that when I was interviewed when I played, I would really pat myself on the back when I did well and tell you how good I was playing, but I'd also tell you when I choked or I was playing terrible. I told it like it was.
I had my first French meal and I never got over it. It was just marvelous. We had oysters and a lovely dry white wine. And then we had one of those lovely scalloped dishes and the lovely, creamery buttery sauce. Then we had a roast duck and I don't know what else.
I had to travel into the future and direct 'Jurassic World' as myself in 20 years - and I did.
Our story is in two halves, as the band's career up to Freddie's death was 20 years, and 20 years later, our music is as popular as it was then. It's a sort of everlasting... income.
People who are just starting out are always sort of coming to me for advice as the example of "independent girl," and lots of people ask, well, how did you get the booking agent or the national distribution or the tours? And I look at them like, "Good lord! Relax!" I mean, how I did it was to not care about it and to not even think about it for years and years. All I thought about was getting the next little gig in the little bar, and I get this sense that people want me to give them the secret formula or the magic trick to make it all happen.
Fortunately, for the first 20 years in my career, I didn't have any other responsibilities outside of myself. I didn't have a wife and kids, so I could afford to sort of barely scrape by, to do theater.
I wouldn't give myself any advice, because advice is kinda bullshit. Take a deep breath and don't take any of it too seriously.
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