A Quote by Matthew Williamson

I love taking elements and colours from nature and then distorting them somehow. — © Matthew Williamson
I love taking elements and colours from nature and then distorting them somehow.
I'm not afraid of colours. In fact, I love them. I like experimenting and wear funky colours for fun.
Nature is out there, and we can do what we like to it. We can cut down the rain forest. We can put animals in factory farms and slaughter them as we like. We can over-fish the oceans. We can pollute the rivers. We can pollute the water and change climate. We are somehow superior to nature. We are somehow rulers of nature.
In order to actually have a touchscreen in front of me and somehow still be connected to nature, I needed to be able to incorporate natural elements into the song structures. Because that's always been my song-writing accompaniment: nature.
I decided I should use the most obvious colours - the basic colours with simple names: red, purple, yellow, pink. I don't distort the objects, I don't change the objects, I draw them exactly as they are. I do the opposite with the colours.
I suppose an artist takes the elements of his life and rearranges them and then has them perceived by others as though they were the elements of their lives.
The truth... When they have a similar structure to and are organized in as truthful a way as nature. When I look out of the window, then truth for me is the way nature shows itself in its various tones, colours and proportions. That's a truth and has its own correctness. This little slice of nature, and in fact any given piece of nature, represents to me an ongoing challenge, and is a model for my paintings.
I'm used to music as a tool, taking the various elements and then making something completely new out of them. And writing film music is the perfect opportunity to do that, because you can look at the film and then just let your imagination soar.
People will keep on taking them for theorists, when all they wanted was to paint in gay, bright colours, like the old masters.
Nail the colours to the mast! That is the right thing to do, and, therefore, that is what we must do, and do it now. What colours? The colours of Christ, the work He has given us to do- the evangelization of all the unevangelized.
People don't understand how long it really takes to find beats. Sometimes they're not all the way there, but it's elements in them I love. Then I get to take them to get chopped up. Ye got to cook over a few of them.
Love seems to beautify and inspire all nature. It raises the earthly caterpillar into the ethereal butterfly, it paints the feathers in spring, it lights the glowworm's lamp, it wakens the song of birds, and inspires the poet's lay. Even inanimate Nature seems to feel the spell, and flowers glow with the richest colours.
Taking care of our planet is like taking care of our houses. Since we human beings come from Nature, there is no point in our going against nature, which is why I say the environment is not a matter of religion or ethics or morality. These are luxuries, since we can survive without them. But we will not survive if we continue to go against nature.
Creativity is taking known elements and putting them together in unique ways
I think that sexuality is the part of human beings that is closest to nature. And nature is dangerous somehow, yes, if you put nature against civilisation, nature is definitely a threat.
The force that unites the elements to become all things is Love, also called Aphrodite; Love brings together dissimilar elements into a unity, to become a composite thing. Love is the same force that human beings find at work in themselves whenever they feel joy, love and peace. Strife, on the other hand, is the force responsible for the dissolution of the one back into its many, the four elements of which it was composed.
Blue has no dimensions, it is beyond dimensions, whereas the other colours are not....All colours arouse specific associative ideas, psychologically material or tangible, while blue suggests at most the sea and sky, and they, after all, are in actual, visible nature what is most abstract.
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