A Quote by Matthew Zapruder

That choice to be ready to reject all other purposes, in favor of the possibilities of language freed from utility, is when the writer becomes a poet. — © Matthew Zapruder
That choice to be ready to reject all other purposes, in favor of the possibilities of language freed from utility, is when the writer becomes a poet.
As a poet and writer, I deeply love and I deeply hate words. I love the infinite evidence and change and requirements and possibilities of language; every human use of words that is joyful, or honest or new, because experience is new... But as a Black poet and writer, I hate words that cancel my name and my history and the freedom of my future: I hate the words that condemn and refuse the language of my people in America.
As a poet and writer, I deeply love and I deeply hate words. I love the infinite evidence and change and requirements and possibilities of language.
Moral sensibilities are nowadays at such cross-purposes that to one man a morality is proved by its utility, while to another its utility refutes it.
Walkers are 'practitioners of the city,' for the city is made to be walked. A city is a language, a repository of possibilities, and walking is the act of speaking that language, of selecting from those possibilities. Just as language limits what can be said, architecture limits where one can walk, but the walker invents other ways to go.
I'm a fiction writer, and I do write essays, but I am not a poet. And I absolutely reject the phrase 'woman writer' as anti-feminist. I wrote an essay about this as far back as 1977, at the height of the neo-feminist movement.
No language is justly studied merely as an aid to other purposes. It will in fact better serve other purposes, philological or historical, when it is studied for love, for itself.
The writer, the poet, the novelist, are all creators. This does not mean that they invent language; it means that they use language to create beauty, ideas, images. This is why we cannot do without them.
Any writer who gives a reader a pleasurable experience is doing every other writer a favor because it will make the reader want to read other books. I am all for it.
What a world this will be when human possibilities are freed, when we discover each other, when the stranger is no longer the potential criminal and the certain inferior!
The inimitable writer Maxine Hong Kingston published a book in 2002 with the title To Be the Poet. However, in contrast to the transformatory distinctions Kingston makes between the conditions of being a prose writer and "the poet," my multigenre impulses incline me to a broader transformation: to be a writer.
France, freed from that monster, Bonaparte, must again become the most agreeable country on earth. It would be the second choice of all whose ties of family and fortune give a preference to some other one, and the first choice of all not under those ties.
I'm glad I understand that while language is a gift, listening is a responsibility. (U.S. poet and writer, 1943- )
Reject labels. Reject identities. Reject conformity. Reject convention. Reject definitions. Reject names.
If a poet has any obligation toward society, it is to write well. Being in the minority, he has no other choice. Failing this duty, he sinks into oblivion. Society, on the other hand, has no obligation toward the poet.
In his eyes I saw all the other possibilities. The dream-world possibilities. The fairytale possibilities. The seemingly impossible possibilities.
Language becomes a prison house only poets can escape...if we do not reject any strict distinctions between ordinary usage and figures of speech.
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