A Quote by Matthew Zapruder
Something can be symbolic without being a mere stand-in or vessel, which just brings us away from the true mystery and dread, into some boring version of what we already know. So what you say is true, in that the bear is a kind of parallel to the speaker, or imagined as such, but also very different. So if it's a symbol it is - ahem - a polysemous one.
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[My poems] of course, it's symbolic, in the way that things in a poem can be - that is, pointing to something beyond its mere ordinary meaning, while also retaining all the qualities of that ordinary meaning. In other words, it's a bear, but it's also suggesting something else, just by virtue of the attention to it. But it's not "symbolic" in that way we are taught to think about things in poems.
True to their history, the English are very domineering and have manipulated it in different ways. I wouldn't say that there was an original, but there is a lot of expurgation in some of the Victorian translations, and there's a lot of additional salacious nonsense in some of them, too. I also like the early French one, much-derided for being fanciful but which is actually very elegantly done. It's very big, very capacious.
There are different gradations of personhood in different poems. Some of them seem far away from me and some up close, and the up-close ones generally don't say what I want them to say. And that's true of the persona in the poem who's lamenting this as a fact of a certain stage of life. But it's also true of me as me.
It's kind of true that they just start making the same movie over and over again. It's also true that the times dictate what kind of movies get made and what kind are not. So I'm always looking for something that's a little fresh and something that I haven't seen before.
Far too many people believe that they are owed some kind of 'safe space' from opposing ideas, and the fact is, that just isn't true - and we shouldn't allow people to say that it is true without correcting them.
We're brought up to believe in a fairytale-romance sort of way that true love is out there and true loves don't care about what you look like and stuff, just what's down inside. And that's probably true, but what's also true, sadly, is that true loves are very rare and very hard to find.
So long as knowledge goes beyond mere true belief, foreknowledge is implausible, since having and relying on relevant true beliefs is sufficient for inquiry. A stepping-stone version of prior true belief seems reasonable, though perhaps we should accept only an even weaker view: a stepping-stone version of roughly-accurate beliefs.
What is true is already so. Owning up to it doesn't make it worse. Not being open about it doesn't make it go away. And because it's true, it is what is there to be interacted with. Anything untrue isn't there to be lived. People can stand what is true, for they are already enduring it.
I think we all carry within us different versions of ourselves. Our true, greatest, most honest versions of ourselves can either be developed and nourished, or it can remain dead from neglect. Most people opt for the easiest version rather than the best.
But in the end which version lives, which version thrives and which version dies, depends on the choices we make and the people in our lives.
The fear of freedom is strong in us. We call it chaos or anarchy, and the words are threatening. We live in a true chaos of contradicting authorities, an age of conformism without community, of proximity without communication. We could only fear chaos if we imagined that it was unknown to us, but in fact we know it very well.
Most of us, no matter what we say, are walking in the dark, whistling in the dark. Nobody knows what is going to happen to him from one moment to the next, or how one will bear it. This is irreducible. And it's true of everybody. Now, it is true that the nature of society is to create, among its citizens, an illusion of safety; but it is also absolutely true that the safety is always necessarily an illusion. Artists are here to disturb the peace.
Poets say science takes away from the beauty of stars-mere globs of gas atoms. Nothing is "mere". I too see the stars on a desert night, and feel them. But do I see less or more? ...What is the pattern, or the meaning, or the why? It does not do harm to the mystery to know a little more about it. For far more marvelous is the truth than any artists of the past imagined it.
I think true romance is dry schizophrenic... but life would be so boring without true love, so I guess you just roll with it.
Ultimately, we as a band just write what we write. Some of it's very serious, and even in the serious songs, there's sometimes an angle of levity. I think that's just how we communicate naturally and to shy away from that would be, first of all, boring for me, but also it wouldn't ring true to who I am or the way I relate to people or the way we relate to people as a band or the way we relate to the audience. Humor is a big part of it, but we also take our craft very seriously.
The mystic must be steadily told,-All that you say is just as true without the tedious use of that symbol as with it. Let us have a little algebra, instead of this trite rhetoric,-universal signs, instead of these village symbols,-and we shall both be gainers. The history of hierarchies seems to show that all religious error consisted in making the symbol too stark and solid, and was at last nothing but an excess of the organ of language.
The blessed Paul argues that we are saved by faith, which he declares to be not from us but a gift from God. Thus there cannot possibly be true salvation where there is no true faith, and, since this faith is divinely enabled, it is without doubt bestowed by his free generosity. Where there is true belief through true faith, true salvation certainly accompanies it. Anyone who departs from true faith will not possess the grace of true salvation.
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