A Quote by Matthew Zapruder
My own experience as a reader and writer has been that the more I read, and the more I live, the more different "types" of poetry I grow to love. I might not even believe anymore that there are "types" of poetry at all. I've come to love things I once would snootily have dismissed. Of course I still have my likes and dislikes, and there are things I think are just plain old bullshit, but more and more I am far more trusting of my loves than my dislikes.
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Poetry, I think, intensifies the reader's experience. If it's a humorous facet of the story, poetry makes it more exuberant. If it's a sad facet, poetry can make it more poignant.
I am not interested in things getting better; what I want is more: more human beings, more dreams, more history, more consciousness, more suffering, more joy, more disease, more agony, more rapture, more evolution, more life.
I think many people (like myself) prefer to read poetry mixed with prose;
it gives you more to go by; the conventions of poetry have been getting
far off from normal life, so that to have a prose bridge makes
reading poetry seem more natural.
When I grew older, I thought I would become an even more special person. But, it's not true. I eat more and I know a lot more things but I just become more pathetic. Is this what it's like to grow old?
I intend more of a kinship with silent films than more modern film. I like the old cinema. My films are more of a hybrid - a different style of filmmaking to what I call talking head movies. Some people don't get it. Especially the more academic types.
Once in a very long time you come across a book that is far, far more than the ink, the glue and the paper, a book that seeps into your blood. With such a book the impact isn't necessarily obvious at first...but the more you read it and re-read it, and live with it, and travel with it, the more it speaks to you, and the more you realize that you cannot live without that book. It's then that the wisdom hidden inside, the seed, is passed on.
I've been singing about love a long time now, because my kind of love carries a different flavor. My lyrics are not so outrageous as some. You have to think about a lot of different things. You get more mature with what you do - more experience, more capable, you know, the older you get.
As things have progressed and I've gotten older, I've gotten more and more involved on the producing side. It's been a natural progression. The more you become exposed in a particular medium, the more you can bring to the table and people start trusting you. You're valued a little bit more, so you have more of a voice. It's something I would like to do, through the rest of my career.
With 'Invisible,' I didn't want to create something that requires you to watch it more than once; I don't even expect people to watch it more than once per se. I just wanted you to have the experience and knowing that if you watch it a second time, it would be different because you would see different things.
I've found in my own life that the older I get, the more stubborn I am in my beliefs and opinions. Without keeping my ego in check, it would be easy for me to bail on relationships when I didn't agree with someone. The antidote to this problem is humility, plain and simple. The more we claim an unassuming nature, the more we believe the best about people and situations, and the more we try and see others through the lens of love. We are then given the opportunity for our relationships to grow.
I love 'Sweet Valley,' but I love it from a different angle. There are people for whom it is their adolescence. They own it, in a way that even I don't. I've come to respect the project more because of the response than I've had. It's more important than I realized it was. I didn't understand the breadth and depth of it. now I'm beginning to more.
More and more people think of the critic as an indispensable middle man between writer and reader, and would no more read a book alone, if they could help it, than have a baby alone.
I love casting against type and doing things you wouldn't expect, because I think you get more interesting performances that way. Hollywood loves to pigeonhole people, and there's nothing an actor loves more than to do something different.
It’s not that Etienne dislikes Tybalt. Etienne just dislikes chaos, and Tybalt causes almost as much commotion as I do. Sometimes more, when he really sets his mind to it, although my chaos is a little more destructive, if I do say so myself.
If I had my life to live over, I would try to make more mistakes. I would relax. I would be sillier than I have been this trip. I know of very few things that I would take seriously. I would be less hygienic. I would go more places. I would climb more mountains and swim more rivers. I would eat more ice cream and less spinach. I would have more actual troubles and fewer imaginary troubles.
As far as more recognition goes, I am happy with the amount of love and respect I have received from other artists and the public. Of course, I would love more, and think I deserve it.
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