A Quote by Matthew Zapruder
Today is such a strange day. The news is out about the Russians and mini-Donald. This seems like a turning point, but it certainly has felt that way before. Like all of us, I am vibrating with electric uncertainty. How do you manage to concentrate and write poems? I know that for me it is just a relief to be in that sort of thinking, away from the news and all the immense global and personal worries.
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For a long period of time, the media covered rap music and hip hop the same way they cover a lot of black people, people of color, you know, the bad news happens to be news. They used to have these little stupid colloquialisms that pop up like, "You know what? No news is bad news!" They trick the masses into thinking that any news is great for you. And I just think that's a piece of crap.
I just don't need cable news. There's nothing that happens on cable news that I don't already know. I'm talking about just the acquisition of information, learning things. What is on cable TV is not that. Cable news isn't news. What is happening on cable news right now is a political assassination of not just Donald Trump, but of ideas and cultural mores that I believe in.
The question does arise if how and why to write poetry in this time. It feels both completely essential and also quite difficult. But that's how writing poetry has felt to me my whole life. Everything seems to have just gotten immensely more mortal and tragic and scary, which makes it hard to concentrate, but also, if harnessed, can provide immense energy for making poems.
Mathematically speaking, it seems impossible that there isn't life out our planet. If you flick on the news, it certainly seems like we have aliens among us.
I'm confused about who the news belongs to. I always have it in my head that if your name's in the news, then the news should be paying you. Because it's your news and they're taking it and selling it as their product. ...If people didn't give the news their news, and if everybody kept their news to themselves, the news wouldn't have any news.
Well, the news is mostly about things that go wrong, right? It's about sensationalist incidents that happened today, instead of things that happen every day. So if you watch and follow a lot of the news, at the end of the day, you know exactly how the world is not working.
You turn on the news, there're no facts anymore. 'Here's what's happening today,' and then you cut to thirty minutes of people in little boxes, little windows, telling you their opinions on it. It seems like all the news is going on in the ticker-tape on the bottom of the news. It's all opinion, it's all editorial.
To me the sort of like, the ethos, if you will, of like tabloid is like Daily News in the 1970s. It's a news organization that thinks of its mission to speak directly to people who are kind of , the people who are sort of the foundation of the American workforce or were at one time. What I love about this conception of the tabloid is that actually everybody read it.
I have tons of stuff that, you know, seems like it's a well-constructed sentence but it is not how people talk, it's how people write. So that's why I think it's sometimes easier for me to write for actors 'cause I know what's frustrating about, you know, sentences that come out just perfect. Well, who talks like that? And who of us don't overlap each other? Except on the radio, hopefully.
It was just such a complete shock to turn on the news one day and see someone that you know, someone you have passed in the halls of your high school. It got me thinking, 'Well, what are some novels that are about female sexual psychopaths? I really didn't have many references for that, and I felt like that was a void in transgressive literature that I wanted to fill.'
Quentin Tarantino assistant called me and said: "I have good news and bad news. The good news is you got the part, the bad news is you have to do it." I was like: "Oh Jesus, when am I supposed to do this?" I was prepping Hostel.
The phone's never far away. The TV's always on. We are constantly on the news cycle; either watching the news, making the news, talking about the news.
I don't think it's about playing and singing, to be honest. That seems like old news, you know? I wasn't thinking about that. I just think that's in my body now. Dancers don't think about their legs moving one way and their arms moving another. Over time, you incorporate that into your instrument.
Fox News is really two news networks. It's a center right news network that has good, solid, interesting coverage if you're watching Chris Wallace or the panel on 'Special Report' or anything like that. Then, it has what Hannity and others like him do, which is just a sort of tribal identity politics for older white people.
After starting a blood feud with Fox News, something no Republican presidential candidate has dared to do before, [Donald] Trump seems to have successfully undermine the network in the eyes of its core audience with perception of the Fox News brand among Republican adults hitting its lowest point in three years according to a new YouGov survey.
There is another important point: encountering the poor. If we step outside ourselves we find poverty. Today-it sickens the heart to say so-the discovery of a tramp who has died of the cold is not news. Today what counts as news is, maybe, a scandal. A scandal: ah, that is news! Today, the thought that a great many children do not have food to eat is not news. This is serious, this is serious! We cannot put up with this! Yet that is how things are. We cannot become starched Christians, those over-educated Christians who speak of theological matters as they calmly sip their tea.
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