A Quote by Mattie Stepanek
I want to keep publishing books, and writing and spreading my heartsong through the world.
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Someone ought to publish a book about the doomsayers who keep publishing books about the end of publishing.
I like to be aware of a book as a piece of writing, and aware of its structure as a product of mind, and yet I want to be able to see the represented world through it. I admire artists who succeed in dividing my attention more or less evenly between the world of their books and the art of their books . . . so that a reader may study the work with pleasure as well as the world that it describes.
Despite wanting to work in publishing, I was a publisher's worst nightmare: I rarely bought new books. So my goal was to publish the kind of books I would buy, and read. My reading habits have changed since starting the press. The only other "goal", per say, is to continue to experiment. I don't want the press to ever fall into a formula, or to be pigeonholed - "They do great reissues of modernist poets!" - I want to keep pushing, exploring the kind of title we can get away with. And working with authors who challenge the way I think about writing, editing and reading.
I will use my voice to change the world, spreading hope, spreading love, and spreading life, 'cause the world needs that. That's enough for me.
So long as readers keep reading and my publishers keep publishing, I plan to keep on writing. I'd have to be an idiot to be burnt-out in this job.
I started out writing romance novels, and that's a side of publishing that's very female oriented. 99.9% of the writers are women, most of the editors are women, and these are books written for the female gaze. And so my point of view - the way I looked at fandom and publishing and writing - was all about women. So for me that's what was natural, that's what was comfortable. And then I moved over to comics. And all of a sudden it was... Pardon the expression, it was a sausage fest.
Writers are stewards of the culture. Publishers, librarians, bookstore owners. We're all in this together. To write books that are gripping, important, that people want to have, is to keep publishing alive.
I think that the practice of writing every day was what made me remember that writing doesn't have anything to do with publishing books. It can be totally separate and private - a comforting thought.
Listen, I wrote 10 unsuccessful books before I broke through, so I'm looking all the time to keep my books fascinating. I want to write what people want to read, not push any message.
I enjoy writing. Publishing... not so much. I've been lucky to work with some very talented people in the publishing world, and the print industry has allowed me to write full time.
I am trying to make, before I get through, a picture of the whole world--or as much of it as I have seen. Boiling it down always, rather than spreading it out too thin. (On Writing.)
Your house, being the place in which you read, can tell us the position books occupy in your life, if they are a defense you set up to keep the outside world at a distance, if they area dream into which you sink as if into a drug, or bridges you cast toward the outside, toward the world that interests you so much that you want to multiply and extend its dimensions through books.
I've got to keep on writing. That's non-negotiable. At the same time, one has to look at the world and recognise that writing is not the only thing to be done - I want to have an effect on the world.
I want to write books that keep people up at night, where they cry through the first forty pages and keep reading anyway.
I don't think anyone is ever writing so that you can throw it away. You're always writing it to be something. Later, you decide whether it'll ever see the light of day. But at the moment of its writing, it's always meant to be something. So, to me, there's no practicing; there's only editing and publishing or not publishing.
While writing my first 90 books, I was magazine editor, publisher, book publisher, executive, etc., so I was established in publishing. three of my seven or so books were biographies of sports stars and really opened doors for me in that area.
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