A Quote by Matty Mullins
I was pretty sheltered growing up. I just started getting into heavier music with the Tooth & Nail/Solid State era, which really kind of brought this whole thing to life for me, so I am really thankful for that label.
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This was early '90s and in New York hip-hop was coming on really strong; that was the sort of urban folk music that was almost threatening to eclipse rock music and indie rock music in terms of popularity, which it has certainly gone on to do. But you know, this is the end of the 1980s, beginning of the '90s. The whole independent label thing has really evolved to this incredible point from the early '80s when we started, and there wasn't one record label at all, until a couple people started forming these small labels.
When I was growing up, I wasn't in bands, and had really no intention of ever doing music. I went out to California for college, and kind of on a whim started making music really as a joke, and over the course of the next five years started playing a lot of shows, and music became this really integral part of my identity.
I've always loved comedy and growing up it was the comedies that I really responded to. So I don't know how it turned out that once I started acting that I started getting a certain kind of role, that I never saw myself as growing up, so I really love when I get an opportunity to play a [comedian] role.
Pretty That's what I am, I guess. I mean, people have been telling me that's what I am since I was two. Maybe younger. Pretty as a picture. (Who wants to be a cliché?) Pretty as an angel. (Can you see them?) Pretty as a butterfly. (But isn't that really just a glam bug?) Cliché, invisible, or insectlike, I grew up knowing I was pretty and believing everything good about me had to do with how I looked. The mirror was my best friend. Until it started telling me I wasn't really pretty enough.
You know, how am I leading my own life? What am I denying? Since I brought such great powers of denial into my adult life, what am I not doing as a husband? What am I not doing as a father? The whole thing started unraveling with me that once I kept it up close to the chest, I could hold it all in, but once I started letting it out, it all started coming out.
I am very thankful that I have lived the life I have lived. I am thankful for my Graves' disease, and I tell people, if I had my whole life to live over, I would have it, because it has really made me into the person that I am.
I honestly produce for myself, not for other people and everyone who supports me I'm really, really, really am thankful for the fact they are supporting me. However, in dance music, you need to switch it up sometimes.
My parents were not musical, but my mom just really wanted my brother and I to learn music as well as practice sports. It's a balance for which I'm thankful. I'm not sure I'm more balanced than anyone, but I'm happier because I can make music and I'm really thankful for that.
I was always real back and forth about the whole religion and God. That comes from me just dealing with that pain when I was younger, and just growing up, living that particular street lifestyle. It brought my relationship with God into question many times. I wanted to repair that and fix that, and that's what I went in and did. I did all of that. I wrote many albums and all that kind of stuff, but the most important part was fixing my mind, body, and soul; getting it together, really getting it together where I could have a future, and a successful future.
Growing up in Louisiana, my grandmother gave me an accordion because of our Cajun heritage. What ended up happening was I started learning about more instruments, so I just kind of went that route. Music's really all I've ever done.
Growing up, I always wanted to be in punk bands, so I'm really enjoying the harder, heavier element. It's always been my dream to have people moshing at my gig, kind of that really feral element of the music coming out more. I love crowd-surfing.
I do appreciate the '80s as an era, the general sounds and aesthetics of the era. The Cure, that whole kind of image is really kind of amazing, I think. The power ballads and how everything sparkles and words are really dramatic. Huge drums, things like that. I do really find it inspiring.
I literally make music for my wife and my friends. I don't feel beholden to my fans. I don't even really know who they are. But, I know that this whole thing started with me making stuff that I got off on, and I've gotta believe that that's how it's going to end, too. That's the only way it can go. There are a lot of artists who have gotten pretty caught up in that. That's why I like the defeatist attitude. Just assume that no one is going to like it and that no one cares, and you'll end up making something that you really like.
With hacky sack, somebody brought one to recess in sixth grade and it kind of all went downhill from there! The same with the yoyos! One kid brought a yoyo one day and people started getting them. I just kept at it and found that I really loved it.
I am not really thinking, I am just, working with the music. And people have asked me, why don't you say more, or why do you not have singers, or why don't you sing? I think it's because, if I would have words for what I am doing, I I could write. But I really don't. It's a whole different thing. And I think it's one of the beauty of instrumental music is that it can be background. It can be what people call "easy listening." But it's really one of those things where it's as much as you are willing to give it.
With hacky sack, somebody brought one to recess in sixth grade and it kind of all went downhill from there! The same with the yoyo's! One kid brought a yoyo one day and people started getting them. I just kept at it and found that I really loved it.
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