When I finished my college education my agent said to me …'The key to beauty is to be always educating yourself, always learning something new, always doing something new and to have something to talk about.' And I never forgot that, and I think that's how one ages beautifully.
There's always something you missed or something you didn't notice or somehow you got wrong... I don't really have a beginning.
I'm astounded whenever I finish something. Astounded and distressed. My perfectionist instinct should inhibit me from finishing; it should inhibit me from even beginning. But I get distracted and start doing something. What I achieve is not the product of an act of my will but of my will's surrender. I begin because I don't have the strength to think; I finish because I don't have the courage to quit. This book is my cowardice.
In the beginning of rock n' roll, there was always innovation. Artists were always trying to do something new and something different.
Music is like color or acting or whatever. It's really something I think about from the beginning. Not that I always know exactly what I'm going to use, but I don't see it as something like, "Let's find some songs now!" after we have a finished film.
Well, do anything, if you do something right, we'll use it, and if you do something wrong, we'll fix it, but do something and do it now.
We ought to look at Social Security. We ought to ask ourselves the question, is there inherently something wrong with Social Security that a man like me is eligible for Social Security? There's something wrong with the system.
He misses the feeling of creating something out of something. That’s right — something out of something. Because something out of nothing is when you make something up out of thin air, in which case it has no value. Anybody can do that. But something out of something means it was really there the whole time, inside you, and you discover it as part of something new, that’s never happened before.
I was excited at something new, always liked something new, but give credit to everybody who helped. I didn't do anything alone but try to go to the root of the question and succeeded there.
You give me the feeling that the universe Was made by something more than human For something less than human. But I identify myself, as always, With something that there's something wrong with, With something human.
Each painting, I feel like I kind of might have gotten something. If I feel like I totally got it, there's probably something wrong and it's not finished. And if I really feel like I understand it then I'm done with these paintings and I'll have to do something else.
People ought to be going over this, finding things they don't like. Congress has clearly proved they can act in a hurry. If there's something wrong with it, it can be amended. If something needs to be kicked in, it can be put in. If something needs to be taken out, it can be taken out.
I wanted to tell her that if only something were wrong with my body it would be fine, I would rather have anything wrong with my body than something wrong with my head, but the idea seemed so involved and wearisome that I didn’t say anything. I only burrowed down further in the bed.
Whatever it takes to finish things, finish. You will learn more from a glorious failure than you ever will from something you never finished.
When you do calculations using quantum mechanics, even when you are calculating something perfectly sensible like the energy of an atomic state, you get an answer that is infinite. This means you are wrong - but how do you deal with that? Is there something wrong with the theory, or something wrong with the way you are doing the calculation?
When you have an idea for a work and when you've finished your model for it, for the artist it's almost complete, in a way. But then bringing it to the finish is really something you do for the audience. It is always exciting.