A Quote by Maureen Dowd

I feel like I owe it to the readers to try to pull back the veil and give them the honest version of what's going on. But it's not more fun. If Obama, as he does sometimes already, gets a little snippy with me about something I've written, you're thinking, 'Oh God, the president of the United States is already annoyed with me.'
I do feel like I owe something, but not to the industry. When you say "industry," I think of a group of people who don't really care much about you and treat you as a commodity. So, in that regard, I don't feel like I owe anything. But the people who've always been supportive of me and have always seen me for my greatest potential-those are the people who I feel like I owe something to. I feel like I am their voice. I owe it them to represent them in a way that they can be proud of.
The idea the president of the United States was warned that Al-Qaeda was going to attack the United States and did nothing about it - really? Do you think any president of the United States, if he had even an inkling there was going to be an attack, they wouldn't have moved heaven and earth to try to stop it?
Sometimes I'm having conversations with my friends, and I feel like they can't relate to me anymore. I'm like, 'Oh, my God, let me tell you about my experience on 'Fallon'!' And they'll be like, 'Oh, my God, let me tell you about my trip to the mall!' It sometimes feels lonely.
Barack Obama didn't say "I only want to be the President of Black people," he said "I want to be the President of the United States and have something to say about the United States and my perspective and my lens is going to affect my judgment on everything" and that's the way a Christian should be. I'm going to invade culture and my lens and perspective is going to influence culture just as much as anyone else's.
We know the president of the United States has no facts. No facts to back up his startling allegation that the former president of the United States, President Obama, wiretapped him in Trump Tower during the campaign.
One thing I like about the United States, and I kind of miss about the United States, is there's an election coming up here in England, but no one's going to have a sign in front of their house. Nobody's going to wear buttons. And in France, same thing. In America I like that people have signs and buttons and bumper stickers. Sometimes you'll smile at someone from a distance, then you'll get up close and you'll see their pin, and you're like, "Oh my god. I wasted a smile on you?"
It's important for me to say something, and with wisdom if I can. I don't think there's anything wrong with just going out there and having fun and goofing around. I want to experiment with that too. But yeah, I feel like I have a responsibility to produce something hopeful, and maybe inspirational to people. When people come up to be and tell me how my music has changed their lives, that only encourages me to take it more seriously. Sometimes I get annoyed with myself for getting too serious, but that's just what I need to do.
And the voters, many of them, feel that the economic system is stacked against them and they want stuff. You are going to see a tremendous Hispanic vote for President Obama. Overwhelming black vote for President Obama. And women will probably break President Obamas way. People feel that they are entitled to things and which candidate, between the two, is going to give them things?
Sometimes I'll go for something more because of the story, or more because of the director. But, generally, I have to feel like it's something that I have a real sympathy for - a person that I can completely go, "Oh, wow, oh, I'm there." Otherwise I don't feel like I will be able to pull it off at all. I know I haven't done everything very well in the past; some things have worked and some things haven't. But I need to feel like I can feel about the person, understand that person, I suppose.
I'm the type of actor that believes the director has to be in charge. I've been on sets where the actor's ego was the most important thing, and with a director that messes it up. But I don't like a dictator, I want it to be collaborative - the best idea wins. If I feel respected, and I'm going to give that back. If a director wants to try something, cool, I'll give it back. I also feel like they cast me for a reason, so I'm going to make my mark on it... let me do my thing.
Should we have border security there? Yes. But the idea of the United States erecting a wall for the world to see makes a lie of everything we say about ourselves. It's a little bit like why the President [Barack Obama] and I feel so strongly about closing Guantanamo. It is inconsistent with who we are.
Sometimes you feel like people go, 'Oh, he just does funny dances,' or 'That's cute.' It drives me a little crazy when someone does a dance number where all they do is kick to their head for five minutes, and everyone's like, 'That choreography is amazing.' It takes a lot to choreograph a number that also gets laughs in it.
It is because I owe America more than she has ever owed me that I am a candidate for president to the United States.
Belafonte sent his people to pick me up and I went back and shook his hand, then went back to my little flat. I was very happy to have met a president of the United States - little me!
God does not owe me an explanation for what He does in my life. And if I am looking for that to feel better about my suffering, then I'm not going to get it.
Having that little bit of breathing room to work, and not feeling like it's going to fall apart at any second, has allowed me to recover the feeling I had when I was a little kid, when I was writing stories for fun or drawing pictures for my parents to put on their refrigerator. It was about playing and doing something fun, and kind of making your own little world. And that's how art should feel for me, and how having a little bit more distance between my ass and the ground has helped me.
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