A Quote by Maureen Forrester

By the time I was four, I would walk around the corner and wait at a local streetcar stop, get on the streetcar with somebody who looked like they could be my mother and go to the end of the line.
It happens that the stage sets collapse. Rising, streetcar, four hours in the office or the factory, meal, streetcar, four hours of work, meal, sleep, and Monday Tuesday Wednesday Thursday Friday and Saturday according to the same rhythm – this path is easily followed most of the time. But one day the “why” arises and everything begins in that weariness tinged with amazement.
Democracy is like a streetcar. When you come to your stop, you get off.
I remember, when I was growing up in Baltimore, we'd get on a streetcar and go down to see the Orioles, and for a couple of bucks, you could get a pretty good seat. Kids can't do that anymore. So I think that changes the whole nature of sports.
In television, there's no time. You can't walk around and get into the mood. Nobody is going to wait for you. They're like, "Let's go!," and I'm like, "Wait, I haven't gotten in the mood!"
When we got off the streetcar at Times Square, it was somewhat of a letdown. Newspapers were blowing about the road and pavement, and Broadway looked seedy, like a slovenly woman just out of bed.
Marvin Bell always looked very closely at how lines could break, how you could put over one line into the second line. How you could stop the line two or three times within the line: You could make it stop.
Out of the corner of one eye, I could see my mother. Out of the corner of the other eye, I could see her shadow on the wall, cast there by the lamplight. It was a big and solid shadow, and it looked so much like my mother that I became frightened. For I could not be sure whether for the rest of my life I would be able to tell when it was really my mother and when it was really her shadow standing between me and the rest of the world.
I had a high school girlfriend whose mother gave us theater tickets, so I saw the second night performance of 'A Streetcar Named Desire.' My girl and I could not get up during intermission, we were so stunned. To this day it's the only thing I've seen on stage that's 100 percent real and 100 percent poetic simultaneously.
I wish everyday could be Halloween. We could all wear masks all the time. Then we could walk around and get to know each other before we got to see what we looked like under the masks.
I would really have liked to have gone to Broadway with 'A Streetcar Named Desire.' I was proud of that.
We'll all be riding that streetcar of desire.
I'm very bullish on the streetcar.
I have a GoPro in the trunk of my streetcar.
Growing up, I loved films like 'A Streetcar Named Desire' and 'On the Waterfront' and became a huge fan of Marlon Brando.
They told me to take a streetcar named Desire and then transfer to one called Cemeteries and ride six blocks and get off at - Elysian Fields!
I remember watching 'A Streetcar Named Desire' when I was quite young, I was about 12, or 13, and I watched it, thinking, 'Wow. That is pretty cool. I'd like to do something like that.'
This site uses cookies to ensure you get the best experience. More info...
Got it!