A Quote by Maureen O'Hara

Charles Laughton signed me to my first movie contract at 17. He later asked my parents if he could adopt me. — © Maureen O'Hara
Charles Laughton signed me to my first movie contract at 17. He later asked my parents if he could adopt me.
For me, it's always been a financial kind of scenario. I was actually the first one who signed the 'exclusive to Ring of Honor' contract. I was the first guy who ever signed one of those contracts. That was tough for me because I had no one to talk to. I had no examples to go on. I was the guinea pig.
When I signed my movie contract, I thought I could never even have an opinion on a movie. But now, I've realized I have a lot of opinions.
I had a great time at Roma, but Milan have made me feel like a young boy again. When I signed for them I was as excited as I was when I signed my first ever contract.
When I was at Hamburg, 17 or 18, Ruud van Nistelrooy signed, and he helped me a lot. He saw my first training session, and he talked to me. He told me I was a good player. He gave me confidence, and I want to thank him for that.
[Barack Obama] had already signed Lilly Ledbetter, signed SCHIP, the children's health insurance program. By the time he had his first address to the joint session, that is as it is called, the first speech, he could say, this is what I asked for, this is what we have done in the first four weeks.
I signed a $150,000 contract with TNA Wrestling for a year. I ended up 8 appearances for 40 minutes. Then I signed a second contract and they didn't use me. So, I'd like to thank them for $300,000 for 40 minutes' worth of work.
Do not go out first thing after signing a contract and buy assets that are huge compared to the contract signed. Just because you have money for the first time doesn't mean you have to spend it before you know all the ramifications of buying the assets.
As I look back on the day I signed my professional contract in 1973, I've never gone to sleep wondering if I could pay the bills or take care of my family. That's what basketball has done for me. It's given me the greatest of thrills from high school to college to the Olympics to coaching to broadcasting.
I also met Charles McPherson around that time, end of high school. I was 17 and I had followed Phil around for a year and pestered him enough to finally give me saxophone lessons. So all of a sudden I've got Phil Woods and Charles McPherson around me.
I had highfalutin ideas about being a serious actress when I was 16, 17, and first signed at Universal. I was so flattered to be asked to be in the movies - the idea of being paid to act was heady stuff.
What you look like, whether you're Brad Pitt or Charles Laughton, is significant for actors.
When I first signed a contract with a women's team, my contract stated that if I played, I would get 100 pounds, and if I didn't play, it would be zero.
As much as my parents were worried about me moving to London at 17, they could see that I was hungry to find my path. And it probably helped that they saw me succeeding at it, slowly but surely.
Cologne was my big team, my favourite team. I trained one week in Cologne, and they asked me to sign for Cologne. At 17 or 18, the coach asked me to go the first-team training ground. I was lucky to have that coach.
When I signed my contract to be in 'Grease 2,' my agent said, 'Well, she's going to have a number.' So I did! They wrote me a number where I was teaching Maxwell Caulfield how to be cool. It was called 'Cool Rider.' And it ain't in the movie.
"I don't ever want to try to be a 'cute guy.' I want to be Charles Laughton, or Oliver Reed, or Lon Cheney. That's way more fun for me." And once I flipped that switch, that's another thing I've taken off my shoulders, where I never have to worry about, "Do I look good?"
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