A Quote by Maureen O'Hara
As the 1960s began, a new breed of Hollywood leading lady was emerging. She was elegant, international, and wonderfully comedic.
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On 'Swingtown,' I think that's when I was able to blend the character-slash-leading lady roles, and that's what I'm doing on 'Once Upon a Time' as well. She's a leading lady, but she's also this character.
Remember a few years ago when they left Bea Arthur out of the death reel at the Oscars? Bea Arthur! How did they leave Bea Arthur out? She was in Mame; she was in All in the Family; she was in Maude; she was a Golden Girl, for God's sake! Bea was not only one of Hollywood's leading ladies, she was one of Hollywood's leading men!
You can really call Irene Dunne 'The First Lady of Hollywood', because she's the first real lady Hollywood has ever seen.
I'm a leading lady character actor; I don't fit in one slot simply. I've always been used to a certain amount of struggle, and that prepared me wonderfully for a mature age.
People believe that companies have always had strategies, dating back at least to likes of Henry Ford or Andrew Carnegie, maybe to the contractors who built the Pyramids. As it turns out, it was only in the 1960s and 1970s that a new breed of "business intellectuals" began to develop the intellectual framework that allowed companies to look at the three "C's" of any good strategy - namely their costs, customers, and competitors - in an integrated way.
Old breed? New breed? There's not a damn bit of difference so long as it's the Marine breed.
In almost every musical ever written, there's a place that's usually about the third song of the evening - sometimes it's the second, sometimes it's the fourth, but it's quite early - and the leading lady usually sits down on something; sometimes it's a tree stump in Brigadoon, sometimes it's under the pillars of Covent Garden in My Fair Lady, or it's a trash can in Little Shop of Horrors... but the leading lady sits down on something and sings about what she wants in life. And the audience falls in love with her and then roots for her to get it for the rest of the night.
Amy Sherman-Palladino is very funny. She's got just natural timing and comedic instinct. And she writes in a comedic rhythm.
I was always the hero with no vices, reciting practically the same lines to the leading lady. The current crop of movie actors are less handicapped than the old ones. They are more human. The leading men of silent films were Adonises and Apollos. Today the hero can even take a poke at the leading lady. In my time a hero who hit the girl just once would have been out.
'Heroes' was great, but I was like the sorority sister, the friend. So often, we as black women, we are cast as the best friend; we are rarely the leading lady. So for me, being on 'The Flash,' it's been so important for me to be the leading lady, to be the woman that is desired by the superhero, to be the hero herself.
Russia always has been, and I hope always will be, one of the leading international sports countries. Our athletes still produce great results in international competition, set new records and win gold medals. Yes, like any country, we might have experienced certain ups and downs with regard to results, but in no way does this cast any doubt on Russia's status as one of the leading countries in sport.
It's a huge change from when I started in the 1960s, but what is really impressive is that the number of ladies on set, the women working on set is a huge percentage. There used to be no women. It was just the leading lady's mother, perhaps the hairdresser and the makeup person.
I come from the theater, and I've done a lot of character work in the theater, but Hollywood stuff in film and TV, they've been more leading lady/ingenue type roles.
In Bollywood they think if a leading lady can do one free-falling kick she's achieved the unthinkable.
Staring at her face, she began to fancy her outer layer had begun to melt away while she wasn't paying attention, and something -- some new skeleton -- was emerging from beneath the softness of her accustomed self. With a deep, visceral ache, she wished her true form might prove to be a sleek and shining one, like a stiletto blade slicing free of an ungainly sheath. Like a bird of prey losing its hatchling fluff to hunt in cold, magnificent skies. That she might become something glittering, something startling, something dangerous.
Snap. Lady with dog. Lady on sofa half-naked. Snap. Naked lady. Lady next to dresser. Lady at window. Snap. Lady on balcony sunlight. (On New Orleans photographer E. J. Bellocq)
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