A Quote by Maurice Baring

In Mozart and Salieri we see the contrast between the genius which does what it must and the talent which does what it can. — © Maurice Baring
In Mozart and Salieri we see the contrast between the genius which does what it must and the talent which does what it can.
Talk not of genius baffled. Genius is master of man. Genius does what it must, and Talent does what it can.
Genius does what it must, and talent does what it can.
Talent does what it can; genius does what it must.
Only that which does not teach, which does not cry out, which does not condescend, which does not explain, is irresistible.
The difference between Talent and Genius is that Talent says things which he has never heard but once, and Genius things which he has never heard.
Keep me away from the wisdom which does not cry, the philosophy which does not laugh and the greatness which does not bow before children.
Talent does things tolerably well; genius does then intolerably better
Talent does whatever it wants to do. Genius does only what it can.
Mozart's music is free of all exaggeration, of all sharp breaks and contradictions. The sun shines but does not blind, does not burn or consume. Heaven arches over the earth, but it does not weigh it down, it does not crush or devour it.
Genius is a bend in the creek where bright water has gathered, and which mirrors the trees, the sky and the banks. It just does that because it is there and the scenery is there. Talent is a fine mirror with a silver frame, with the name of the owner engraved on the back.
There is a genius on one side of every trade and a dolt on the other, but which is which does not become clear until much later.
At one time I thought the most important thing was talent. I think now that the young man must possess or teach himself, training himself, in infinite patience, which is to try and to try until it comes right. He must train himself in ruthless intolerance-that is to throw away anything that is false no matter how much he might love that page or that paragraph. The most important thing is insight, that is to be-curiosity-to wonder, to mull, and to muse why it is that man does what he does, and if you have that, then I don't think the talent makes much difference, whether you've got it or not.
There may be a time in life when one is tired of everything and feels as if all one does is wrong, and there maybe some truth in it- do you think this is a feeling one must try to forget and to banish, or is it 'the longing for God,' which one must not fear, but cherish to see if it may bring us some good? Is it 'the longing for God' which leads us to make a choice which we never regret? Let us keep courage and try to be patient and gentle. And not mind being eccentric, and make distinction between good and evil.
People realize that Salieri is not the man we saw in the Amadeus movie. That man had no talent. It was a great movie, but the Salieri character was a big fiction.
The critic does his utmost to blight genius in its infancy; that which rises in spite of him he will not see; and then he complains of the decline of literature.
Talent warms-up the given (as they say in cookery) and makes it apparent; genius brings something new. But our time lets talent pass for genius. They want to abolish the genius, deify the genius, and let talent forge ahead.
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