A Quote by Maurice Druon
Socialist ideology is making France go to pot, and the French language with it.
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I grew up in France, my first language was French, and I tend to gravitate towards French cooking.
I just love France, I love French people, I love the French language, I love French food. I love their mentality. I just feel like it's me. I'm very French.
If I would want to have a huge audience, I would make American movies, not French movies, because there is a limit of course with French language. If I prefer to shoot in my own language, it is to play with my language, to play in my Paris, and I have complete freedom in France. It's so amazing. If American directors could imagine how free I am, they would have asked for political asylum immediately.
I am a guest of the French language. My poems in French are born of my interaction with the French language, which is not the same as that of a French poet.
I really want to learn French so I think it would be great to go and live in France and maybe learn the language for a few months.
We need French chaplains and imams, French-speaking, who learn French, who love France. And who adhere to its values. And also French financing.
I don't want to mess with my face. So I'm becoming fluent in French so I can go to France and make French films when I'm 60.
I'm pretty good with languages. I know a bit of French and actually want to live in France some day so that I can get fluent. I think it'd be tragic to go through life only knowing one language.
By county, there's like 14 different accents in Mississippi alone. And now, present day, a Mississippi accent is different than in 1963. So we had a dialect coach, which is like going to visit France and having to translate all your emotions into French, and French isn't your first language. I had to go through that filter, so it was interesting.
It was an identity crisis. I was born and raised in France, but I never really felt French, so I needed to find something that I was more connected to. I used to go back to Tunisia every summer, but I was more into the language, my Arabic roots.
It's very important to say that French doesn't belong to France and to French people. Now you have very wonderful poets and writers in French who are not French or Algerian - who are from Senegal, from Haiti, from Canada, a lot of parts of the world.
It wouldn't have existed without France, and it's a French initiative. As a filmmaker, I owe everything to France - I got accepted at a French film school that takes six directors a year. Once you're in, you make films under the eye of people in the industry. You grow up in front of their eyes.
I consider myself a 'local' actor in France. I started out in France, I went to drama school in France and the French film community was very welcoming to me when I was a young actress.
Since the 1960s, we have seen the failure of the melting pot ideology. This ideology suggested that different historical, cultural and socioeconomic backgrounds could be subordinated to a larger ideology or social amalgam which is "America." This concept obviously did not work, because paradoxically America encourages a politics of contestation.
I live in New York now, and miss France quite a bit. Of course, the reality of living in a small village in the south of France was very different than the fantasy I had of living in France. Over the years I spent there, that fantasy was worn away and I found a more realistic version of France than the one I began with. I wouldn't say the spell ever goes away, but transforms. Now that I understand French culture more intimately, and speak fluent French, I have a different, more solid, relationship to the country.
I'm a bit of a melting pot, I try to speak British, but there's some European lilt - a not-so-conventional one because I'm Belgian, from the Flemish part. Dutch was my mother language, and I learned English, and I speak French, too.
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