A Quote by Maurice Druon
Italian is the language of song. German is good for philosophy and English for poetry. French is best at precision; it has a rigour to it.
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Growing up in Switzerland, you learn German pretty much from day one in school. You learn French and Italian as well. I took English as an extra language because I figured that was the language of the world.
I studied French in high school and German in college and I once took a 24-hour Italian crash course. English has by far the most words in it of any other language. Our money might not be worth anything anymore, but the language is.
You never know what little idea or joke, what flame flickering really quickly, will become a song. That first idea, it can come any time. If it's in Spanish, you go on in Spanish. If it's in French, French. If it's in English, English. Or Portuguese. I'll try to do my best. I like Italian, though I don't speak it much.
I was born into a Turkish family that had acquired Italian citizenship. Many members of the family subsequently became British, French, Brazilian, and German, so there was a bit of everything. It was not uncommon for people in the family to speak seven languages: English, French, Ladino, Italian, Turkish, Arabic, and even Greek.
I speak five languages: English, Swedish, French, Italian, and German.
Mine is a European imagination, shaped largely by my very promiscuous reading in German, French, English and, with greater difficulty, Italian.
In the French language, there is a great gulf between prose and poetry; in English, there is hardly any difference. It is a splendid privilege of the great literary languages Greek, Latin, and French that they possess a prose. English has not this privilege. There is no prose in English.
I work in Hebrew. Hebrew is deeply inspired by other languages. Not now, for the last three thousand years, Hebrew has been penetrated and fertilized by ancient Semitic languages - by Aramaic, by Greek, by Latin, by Arabic, by Yiddish, by Latino, by German, by Russian, by English, I could go on and on. It's very much like English. The English language took in many many fertilizations, many many genes, from other languages, from foreign languages - Latin, French, Nordic languages, German, Scandinavian languages. Every language has influences and is an influence.
English has always been my musical language. When I started writing songs when I was 13 or 14, I started writing in English because it's the language in between. I speak Finnish, I speak French, so I'll write songs in English because that's the music I listen to. I learned so much poetry and the poetic way of expressing myself is in English.
German poetry is going in a very different direction from French poetry.... Its language has become more sober, more factual. It distrusts "beauty." It tries to be truthful.
In fact, it is amazing how much European films - Italian, French, German and English - have recovered a certain territory of the audience in their countries over the last few years.
I have a funny relationship to language. When I came to California when I was three I spoke Urdu fluently and I didn't speak a word of English. Within a few months I lost all my Urdu and spoke only English and then I learned Urdu all over again when I was nine. Urdu is my first language but it's not as good as my English and it's sort of become my third language. English is my best language but was the second language I learned.
French is not a language that lends itself naturally to the opaque and ponderous idiom of nature-philosophy, and Teilhard has according resorted to the use of that tipsy, euphoristic prose-poetry which is one of the more tiresome manifestations of the French spirit.
An unalterable and unquestioned law of the musical world required that the German text of French operas sung by Swedish artists should be translated into Italian for the clearer understanding of English-speaking audiences.
In language gender is particularly confusing. Why, please, should a table be male in German, female in French, and castrated in English?
When we strengthen our relations with the Gulf states, when we cooperate with the Arabs, everybody asks if we are looking for a new geopolitical place. But in the Middle East and the Gulf, you can find German, French and British goods everywhere. German relations to these states are very good, as are English and French relations. Does this make them Arab-oriented?
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