A Quote by Maurice Gibb

They don't bother too much with the balance and things on blues records. — © Maurice Gibb
They don't bother too much with the balance and things on blues records.
A lot of those early blues records and soul records were pretty much live. It was what it was, and they had goofs and mistakes, but it still kept its charm. We have to remember to keep the feel. It's so important.
Balance is key. Balance is a virtue. Balance is next to godliness, maybe. We should all aspire to better balance. Too much of what is said in this world is one-sided, and we need more balance - in our speech, in our music, in our art, in everything.
You don't have to play a whole lot of guitar to be a good blues player. Some people plays too much guitar. Stack it on top of each other the way it don't - you're working too fast. Blues not supposed to be played fast. Blues supposed to be played slow. You could kill a man with just one chord.
There are happy blues, sad blues, lonesome blues, red-hot blues, mad blues, and loving blues. Blues is a testimony to the fullness of life.
Getting too much money too soon can be really bad. There's a balance to be kept - the right balance between new experience and a certain stability in one's life. I'm conscious of all these things in a way that, earlier on, I was only conscious of circumstantial stuff, like, money.
If you listen to really deep ambient records that don't move too much, very still records, long after those records are finished, you might find yourself listening for hours to the sound of the room.
For a while I had a blues band in L.A., but I realized I was too optimistic to play the blues. I did not have the misery in my heart that the blues required.
I say too much of what, he says too much of everything, too much stuff, too many places, too much information, too many people, too much of things for there to be too much of, there is too much to know and I don't know where to begin but I want to try.
I think the blues is fine for blues players, but free blues has never made much sense to me.
During the writing process, I tend not to listen to too much music. I obviously wear a lot of influences on my sleeve, but if I was listening to too many records, I would turn into too much of a monkey.
If I had a long-term partner, I don't think I'd be an actor. It'd be too much of a strain; you have to work too hard to balance that life with a family and a mortgage and all that stuff - it would be too much.
I have heartaches, I have blues. No matter what you got, the blues is there. 'Cause that's all I know - the blues. And I can sing the blues so deep until you can have this room full of money and I can give you the blues.
I have a lot of analog. I think a lot of people do. There are a lot of people that are re-discovering it. I still have a lot of my old records from back in the day. It's a joy to play things like Junior Wells' 'Hoodoo Man Blues,' and John Mayall & The Blues Breakers with Eric Clapton. There's a warmth that you can still feel.
If I had a long-term partner, I dont think Id be an actor. Itd be too much of a strain; you have to work too hard to balance that life with a family and a mortgage and all that stuff - it would be too much.
I cut all my early records in Nashville, so I guess that makes me country. I call it country pop, but my love of the blues is in there, too.
Yeah; I'm a much better blues player than anybody knows, but being in the kind of group I'm in, we were always trying to make popular records
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