A Quote by Maurice Gibb
Tiny Tim? Anyone could sing like that. It's atrocious. It's hideous, really.
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I would try and sing along with bands that I like but it sounded so atrocious that I couldn't.
I never really sang for anyone, apart from in the shower or with my best friend. I was shy. I didn't want to take voice lessons. I knew I could sing, but I just didn't tell anyone.
Marvin Gaye was a friend of mine, and he used to say, 'Man, I wish I could sing like you - if I could have that growl in my voice.' And I said, 'Man, are you kidding me? I want to sing like you. Everybody wants to sing like you.'
Like, it's fun for me to sing 'I Think We're Alone Now.' But when 'Could've Been' comes out as a single, that's a ballad and really shows my voice; then people will say, 'Hey, this girl really can sing.'
I never wanted to sound clean and pretty. In jazz, I felt I could sing these deep, husky lows if I want and then these really tiny laser highs if I want as well.
Theres something about most phobias where theres a tiny, tiny corner where you think this really actually could happen.
There's something about most phobias where there's a tiny, tiny corner where you think this really actually could happen.
I grew up in a really musical house where all of my brothers and sisters could sing, but I couldn't sing. Not only could I not sing, I couldn't hear pitch. I was totally tone deaf - legitimately, one hundred percent tone deaf. Nevertheless, I loved music.
Like many actors, I started off as a monkey. My first job ever was as an extra in Tim Burton's 'Planet of the Apes.' I'm the tiny little monkey in the background. I met Rick Baker doing that - then, because of my size and the fact I was older than 18, he figured I could double Daveigh Chase in 'The Ring.'
It was like I couldn't even begin to tell my mom I was singing. I didn't want anyone to think that she was trying to get me to sing. I wanted to prove to myself I could do it on my own. I really wanted to do a completely different thing.
I really wish I could sing so I could front a band, because that would be a dream come true, totally. I want to sing. Can't do it though.
You can't just sing the song and live another life, you know. It's really difficult now because that's not what it's about. It's pop and pop just says that we could be actors. We could sing about stuff and not believe in it. It could be absolutely fraudulent and it doesn't really matter.
Classical singing - everything had to be homogenous, and it had to just feel like one continuous flow from top to bottom, bottom to top. And in jazz, I felt like, oh, well, I can sing these deep, husky lows if I want and then sing these really, like, tiny, laser highs if I want, as well. And I have - I have no obligation to make it sound like it's just one continuous flow.
If I could sing like a Chaka Khan, an Aretha, a Kim Burrell, if I could do all these amazing runs and belt it out, I would. I've attempted that, and it's not something anyone would want to hear.
Tim also has enough confidence so that it always looks like a Tim Burton film, but it really is collaborative. You're allowed to do it your way but of course he's always going to choose his way.
It was Tim Burton's 'Batman' in, what, '89, I think? What we could see was there was someone behind the curtain controlling all of this, and you could see it from one Tim Burton film to the next, that the guy who made 'Edward Scissorhands' also made 'Batman.' You could connect the dots because his style was so distinct.
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